Martín Legón (Buenos Aires, 1978) varies freely between installations, drawings, paintings and procedures such as the recovery of photographic collections. His production reveals his interest in poetically linking texts and quotes from sociology, literature and art history. Just as it happens with the juxtaposition of an assembly of cinematographic attractions, the references he chooses display chains of critical and conceptual statements. In recent years, Legón has revisited topics such as the structures of work, the production of images and the place of the artist in modern-day society. While referring to failed modernist utopias, his works may hover between romantic-idealistic atmospheres and a certain spirit of contemporary decadentism.
Martín Legón has held many solo exhibitions, some of his most recent ones are Solo las piedras recuerdan (Museo Moderno, Buenos Aires, 2024), Árboles profundamente artificiales (Barro, Buenos Aires, 2021), La seducción de los inocentes (Ángels, Barcelona, 2018), Quatrenial Shanzhai (Museo Genaro Pérez, Córdoba, 2018), Nuevos pensamientos imbéciles (Barro, Buenos Aires, 2017), Las fuerzas productivas (Barro, Buenos Aires, 2015), La vuelta al mundo… curated by Inés Katzenstein and Sofía Hernández Chong Cuy in collaboration with the Arts Department of University Torcuato Di Tella and Colección Patricia Phelps de Cisneros (Buenos Aires, 2014), Principios para un manifiesto especular (Museo de Arte Contemporáneo de Rosario, Santa Fe, 2013), Así pasa la gloria del mundo (Galería Alberto Sendrós, Buenos Aires, 2011). He was one of the youngest Argentinian artists to be a part of San Pablo Biennial in the XXX edition “La Inminencia de las Poéticas” curated by Luis Pérez Oramas (2012).In the past few years some of his essays were published: La naturaleza del artificio (Big Sur Zine, 2012), El Test del Hombre bajo la lluvia (Arta Ediciones, 2012), Apuntes a la Colección Globus (Big Sur Books, 2016) and Maleza (Editorial Ivan Rosado, 2016). Legón’s works are part of several importants collection such as Centro de Arte Dos de Mayo (CA2M) Móstoles, España; Museo Provincial de Bellas Artes Franklin Rawson de San Juan and Museo de Arte Contemporáneo de Rosario (Macro), Argentina. He lives and works in Buenos Aires.
Interpreting them consecutively, the individual exhibitions from Martín Legón have been unfolding visual analytical essays for more than fifteen years. In this respect, Árboles profundamente artificiales may be understood as a cubist installation, where its subject of study—Argentine society and its current possibilities—is broken down into different planes to deliver its many faces simultaneously.
María Carolina Baulo, "Antropología del Concepto: Una Conversación con Martín Legón". Sculpture Magazine, Febrero 2022
Las fuerzas productivas (Barro, 2015)
“Principios para un manifiesto especular”, 2014. Museo de Arte Contemporáneo de Rosario, MACRO.
Blanca María Monzón, “Martín Legón en la Bienal de San Pablo Reflexiones sobre la Identidad”. Leedor, Septiembre, 2012
Melina Ruiz Natali, “Entrevista a Martín Legón”. Arte al Día Online, Diciembre 2012
Alejandra Villasmil, “La mise en escene de Martín Legón”. Artishock, Junio 2011.
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
30.01.2026 Works by Martín Legón, Nicanor Aráoz and Marcelo Pombo are part of El orden imposible del mundo, at Fundacion Proa. Curated by Francisco Lemus, the group show brings together artworks that marked bold acquisitions by Argentine collectors.
27.01.2026 We are thrilled to announce the selection of Matías Duville to represent Argentina at the 61st International Art Exhibition of the Venice Biennial. The project chosen for the Argentine Pavilion is “Monitor Yin Yang”, curated by Josefina Barcia. From May 9 to November 22, 2026, Venice, Italy.
01.01.2026 The fifteen panels that compose Argentina, the landscape of Entre Ríos made from plasticine by the collective Mondongo, go on a national tour. The first stop is the Museo Municipal de Bellas Artes Juan B. Castagnino in Rosario, followed by a second stop at the Rawson Museum in San Juan through the end of March.
05.12.2025 Miami Beach, USA. BARRO presents works by Mondongo, La Chola Poblete, Alejandra Seeber, Pablo Reinoso, and Guillermo Kuitca in the fair’s Main Section. Convention Center, Florida.
08.11.2025 LA CHOLA POBLETE —En el aire— Curated by Antonio Villa. A film set, a stage, paintings and photographs of La Chola immerse us in the performance of her present as an artist. The sophisticated web of references and the spectacular mise-en-scène do not produce a single effect. It is a cocktail of quotes from an artist who is excessive for the extremes she touches, and exquisite for the abundance of cultured citations she weaves together.
24.10.2025 Mónica Giron presents TRUCO (trick – deceit – cunning – simulation), 2025, in collaboration with Antonio Panno. The work is part of the Cuenca Biennial, curated by Gustavo Buntinx. On view starting October 24 at the Municipal Museum of Modern Art and Casa de la Lira, in Cuenca, Ecuador.
09.10.2025 La Chola Poblete participates in the Bienal de Artes Mediales de Santiago as part of the exhibition "Zurcida" curated by Seba Calfuqueo. The project focuses on the body and its modifications, in relation to gender transition. Centro Cultural CEINA
10.09.2025 Alcindo Monteiro, a sculptural and performance work originally conceived for the Plaza del Carbón at the MAAT in Lisbon, is presented by Gabriel Chaile at "This is a Square" in Madrid. This is a collaboration between La Casa Encendida and BoCA.
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