Martín Legón (Buenos Aires, 1978) freely varies the support he uses, resorting to installations, drawings, paintings and procedures such as the rescue of photographic collections. His production reveals his interest in poetically linking texts and quotes from sociology, literature and art history. Just as with the juxtaposition of a montage of cinematographic attractions, the references he chooses display chains of critical and conceptual statements. In recent years, Legón has revisited topics such as the structures of work, the production of images and the place of the artist in modern-day society. With nods to the failed modernist utopias, his works may hover between romantic-idealistic atmospheres and a certain spirit of contemporary decadentism.
His individual exhibitions in recent years include Principios para un Manifiesto Especular (Museo de Arte Contemporáneo de Rosario, 2013) and the presentation of Experimentación y reevaluación de las estrategias en torno al Test del Hombre bajo la lluvia, together with Fragmentos de la serie sin título at the 30th Sao Paulo Biennial, 2012.
The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.
30.03.2019 [...] "Finding its way between agitating self-consciousness and sleepwalking automatism, Marcelo Pombo reads History and his story over and over again in an exhibition that unfolds as strangely as dreams: a series of successive stations holding particularly vivid, mystifying instants of contemplation, visionary images. The iconographies he has been treasuring throughout his extensive journey return once again but disruptively". Federico Baeza for Templos de barrio by Marcelo Pombo.
20.03.2019 Dubai, United Arab Emirates. Nicanor Aráoz presents a Solo Show in the Residents section. Director: Madinat Jumeirah, Al Sufouh. Booth G7
14.03.2019 Mesón de Fierro. Words by Ambassador of Argentina Rafael Mariano Grossi, by Director of the Office for Outer Space Affairs Simonetta Di Pippo, by Director of the Museum of Natural History of Vienna Christian Köberl. Curator Daniela Zyman. Sede Naciones Unidas Viena.
05.03.2019 New York, USA. Gabrile Chaile and Matías Duville participate in this Edition. Pier 94, Booth P26.
27.02.2019 Madrid, Spain. Mónica Girón (BUE), Alejandra Seeber (NY), Amalia Ulman (LA), Agustina Woodgate (MIA) participate in this edition. Booth 7 B01.
04.02.2019 Art Dubai will feature the second edition of Residents, dedicated to solo presentations from invited galleries whose artists will take part in a 4-8 week residency in the UAE. Curators: Fernanda Brenner & Munira Al Sayegh.
04.01.2019 Nicola Costantino presents Real Absoluto an exhibition that includes 3 site-specific installations: Abisal + Pardes + El verdadero jardín nunca es verde. In Mar del Plata until March 15.
21.11.2018 The artist duo presents In serch of Mesón de Fierro at the Natural History Museum Vienna, Austria. Finissage and book presentation: March 11.
25.10.2018 For the work of art to be a transforming agent, the ability of analysis and interpretation has to exist. In this exhibition, Mónica Giron formalizes the different methodologies she applies to refine perception and acquire knowledge both in her life and in her work production as well as in her practice in the artist formation area.
24.10.2018 Introduction to Feng Shui and the concept of Reflex Zones, from the practice of Contemporary Art.