Martín Legón (Buenos Aires, 1978) freely varies the support he uses, resorting to installations, drawings, paintings and procedures such as the rescue of photographic collections. His production reveals his interest in poetically linking texts and quotes from sociology, literature and art history. Just as with the juxtaposition of a montage of cinematographic attractions, the references he chooses display chains of critical and conceptual statements. In recent years, Legón has revisited topics such as the structures of work, the production of images and the place of the artist in modern-day society. With nods to the failed modernist utopias, his works may hover between romantic-idealistic atmospheres and a certain spirit of contemporary decadentism.
His individual exhibitions in recent years include Principios para un Manifiesto Especular (Museo de Arte Contemporáneo de Rosario, 2013) and the presentation of Experimentación y reevaluación de las estrategias en torno al Test del Hombre bajo la lluvia, together with Fragmentos de la serie sin título at the 30th Sao Paulo Biennial, 2012.
The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.
07.10.2019 Introduction to the analysis of form and space, in complicity with readings derived from the analysis of space and forms according to Feng Shui. October 7, 14, 21 and 28
24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.
12.09.2019 Istanbul, Turkey. Matías Duville presents a Solo Project in the Main Sector of the fair, which this year has the artistic direction of Anissa Touati.
31.08.2019 Fantasy, hallucinogenic states, humor and erotism serve to create imaginary worlds inspired by erotic art from the Moche culture of Northwest Peru. Miguel Ángel Ríos goes on a hallucinogenic trip through his own fantasies and with reference to the fragmentation of shapes and the self.
31.08.2019 Artists: Xil Buffone, Cristina Coll, Josefina Labourt, Maruki Nowacki. Editor: Martín Legón. Curators: Guadalupe Creche & Martín Legón
25.08.2019 MATIAS DUVILLE: DESERT MEANS OCEAN. Museum of Latin American Art (MOLAA). August 25— December 1, 2019.
13.06.2019 Basel, Switzerland. Aguas Calientes by Gabriel Chaile. Statements presents exciting new solo projects by emerging artists, who are eligible to receive the prestigious Baloise Art Prize.
01.06.2019 Artist: Lido Iacopetti Editor: Martín Legón. Curators: Ángeles Azcua y Jimena Ferreiro. co-produced with Aldo de Sousa Gallery.
29.05.2019 Nicanor Aráoz in Una historia de la imaginación en la Argentina at the Museum of Modern Art in Buenos Aires. Curator: Javier Villa. Until 27.10
29.05.2019 Gabriel Chaile proposes a “Genealogy of the Shape” as a collective poem that is constantly under construction. An ensemble of sculptures is organized in the exhibiting space as a large organism that breathes through arteries of steel and copper.