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Martín Legón


Martín Legón (Buenos Aires, 1978) freely varies the support he uses, resorting to installations, drawings, paintings and procedures such as the rescue of photographic collections. His production reveals his interest in poetically linking texts and quotes from sociology, literature and art history. Just as with the juxtaposition of a montage of cinematographic attractions, the references he chooses display chains of critical and conceptual statements. In recent years, Legón has revisited topics such as the structures of work, the production of images and the place of the artist in modern-day society. With nods to the failed modernist utopias, his works may hover between romantic-idealistic atmospheres and a certain spirit of contemporary decadentism.

His individual exhibitions in recent years include Principios para un Manifiesto Especular (Museo de Arte Contemporáneo de Rosario, 2013) and the presentation of Experimentación y reevaluación de las estrategias en torno al Test del Hombre bajo la lluvia, together with Fragmentos de la serie sin título at the 30th Sao Paulo Biennial, 2012.
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exhibitions

Nuevos pensamientos imbéciles
22.07.2017

The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.

publications

Maleza, Martín Legón. Selecciones Ivan Rosado, Rosario, 2016

Apuntes a la Colección Globus. Big Sur Books, Buenos Aires, 2016

Principios para un manifiesto especular. Museo Castagnino+Macro, Rosario, 2013

El test del hombre bajo la lluvia. Ediciones Arta, Buenos Aires, 2012




News

Workshop by Mónica Girón & Santiago Villanueva

07.10.2019 Introduction to the analysis of form and space, in complicity with readings derived from the analysis of space and forms according to Feng Shui. October 7, 14, 21 and 28

News

Pombo and Chaile at Roldan Moderno

24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.

Fairs

Contemporary Istambul

12.09.2019 Istanbul, Turkey. Matías Duville presents a Solo Project in the Main Sector of the fair, which this year has the artistic direction of Anissa Touati.

Exhibitions

Mi nombre es Lima

31.08.2019 Fantasy, hallucinogenic states, humor and erotism serve to create imaginary worlds inspired by erotic art from the Moche culture of Northwest Peru. Miguel Ángel Ríos goes on a hallucinogenic trip through his own fantasies and with reference to the fragmentation of shapes and the self. 

Exhibitions

Cámara#2 / Espíritu Nómade

31.08.2019 Artists: Xil Buffone, Cristina Coll, Josefina Labourt, Maruki Nowacki. Editor: Martín Legón. Curators: Guadalupe Creche & Martín Legón

News

Duville at Molaa, Long Beach, California

25.08.2019 MATIAS DUVILLE: DESERT MEANS OCEAN. Museum of Latin American Art (MOLAA). August 25— December 1, 2019.

Fairs

Art Basel

13.06.2019 Basel, Switzerland. Aguas Calientes by Gabriel Chaile. Statements presents exciting new solo projects by emerging artists, who are eligible to receive the prestigious Baloise Art Prize

Exhibitions

Cámara#1 / Imaginante popular

01.06.2019 Artist: Lido Iacopetti Editor: Martín Legón. Curators: Ángeles Azcua y Jimena Ferreiro. co-produced with Aldo de Sousa Gallery.

News

Nicanor Aráoz at Mamba

29.05.2019 Nicanor Aráoz in Una historia de la imaginación en la Argentina at the Museum of Modern Art in Buenos Aires. Curator: Javier Villa. Until 27.10

Exhibitions

Genealogía de la forma

29.05.2019 Gabriel Chaile proposes a “Genealogy of the Shape” as a collective poem that is constantly under construction. An ensemble of sculptures is organized in the exhibiting space as a large organism that breathes through arteries of steel and copper.




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