Martín Legón (Buenos Aires, 1978) varies freely between installations, drawings, paintings and procedures such as the recovery of photographic collections. His production reveals his interest in poetically linking texts and quotes from sociology, literature and art history. Just as it happens with the juxtaposition of an assembly of cinematographic attractions, the references he chooses display chains of critical and conceptual statements. In recent years, Legón has revisited topics such as the structures of work, the production of images and the place of the artist in modern-day society. While referring to failed modernist utopias, his works may hover between romantic-idealistic atmospheres and a certain spirit of contemporary decadentism.
Martín Legón has held many solo exhibitions, some of his most recent ones are Solo las piedras recuerdan (Museo Moderno, Buenos Aires, 2024), Árboles profundamente artificiales (Barro, Buenos Aires, 2021), La seducción de los inocentes (Ángels, Barcelona, 2018), Quatrenial Shanzhai (Museo Genaro Pérez, Córdoba, 2018), Nuevos pensamientos imbéciles (Barro, Buenos Aires, 2017), Las fuerzas productivas (Barro, Buenos Aires, 2015), La vuelta al mundo… curated by Inés Katzenstein and Sofía Hernández Chong Cuy in collaboration with the Arts Department of University Torcuato Di Tella and Colección Patricia Phelps de Cisneros (Buenos Aires, 2014), Principios para un manifiesto especular (Museo de Arte Contemporáneo de Rosario, Santa Fe, 2013), Así pasa la gloria del mundo (Galería Alberto Sendrós, Buenos Aires, 2011). He was one of the youngest Argentinian artists to be a part of San Pablo Biennial in the XXX edition “La Inminencia de las Poéticas” curated by Luis Pérez Oramas (2012).In the past few years some of his essays were published: La naturaleza del artificio (Big Sur Zine, 2012), El Test del Hombre bajo la lluvia (Arta Ediciones, 2012), Apuntes a la Colección Globus (Big Sur Books, 2016) and Maleza (Editorial Ivan Rosado, 2016). Legón’s works are part of several importants collection such as Centro de Arte Dos de Mayo (CA2M) Móstoles, España; Museo Provincial de Bellas Artes Franklin Rawson de San Juan and Museo de Arte Contemporáneo de Rosario (Macro), Argentina. He lives and works in Buenos Aires.
Interpreting them consecutively, the individual exhibitions from Martín Legón have been unfolding visual analytical essays for more than fifteen years. In this respect, Árboles profundamente artificiales may be understood as a cubist installation, where its subject of study—Argentine society and its current possibilities—is broken down into different planes to deliver its many faces simultaneously.
María Carolina Baulo, "Antropología del Concepto: Una Conversación con Martín Legón". Sculpture Magazine, Febrero 2022
Las fuerzas productivas (Barro, 2015)
“Principios para un manifiesto especular”, 2014. Museo de Arte Contemporáneo de Rosario, MACRO.
Blanca María Monzón, “Martín Legón en la Bienal de San Pablo Reflexiones sobre la Identidad”. Leedor, Septiembre, 2012
Melina Ruiz Natali, “Entrevista a Martín Legón”. Arte al Día Online, Diciembre 2012
Alejandra Villasmil, “La mise en escene de Martín Legón”. Artishock, Junio 2011.
30.05.2026 The exhibition Segundas vidas, curated by SONIA BECCE, unfolds in two parts. The first room, featuring recent work by Analía Saban, marks the artist’s first solo exhibition in Buenos Aires in more than ten years. The second room features a new series of ARC (Animal Rug Company) works, a project that Agustina Woodgate began in 2010.
09.05.2026 Matías Duville presents Monitor Yin Yang, curated by Josefina Barcia, a site-specific installation that transforms the space into a traversable territory constructed with salt and charcoal. The project expands drawing into a spatial, sonic, and performative experience. Biennale di Venezia, Argentine Pavillion, until November 22, 2026.
05.05.2026 Nicanor Aráoz participates in the group exhibition Oscuridad visible: La larga sombra de la dictadura, organized by Museo Moderno of Buenos Aires to commemorate the 50th anniversary of the last military coup. Aráoz presents Glótica 3 (Argentina Brava Mix). At Spazio Punch, Venice, Italy.
01.04.2026 Gabriel Chaile presents his new solo exhibition, Archaeology of Memory, where he scavenges a variety of decorative and functional objects from the local area surrounding the Whitechapel Gallery, to be displayed alongside guardian adobe sculptures. Until September 6, 2026.
06.03.2026 La Chola Poblete: pop andino, is La Chola's first exhibition in Brazil. Curated by Adriano Pedrosa and Leandro Muniz, the exhibition brings together 31 works, including 14 watercolors from the iconic series Vírgenes cholas, exhibited at the Venice Biennale in 2024. At the São Paulo Museum of Art (MASP) until August 8, 2026.
04.03.2026 Madrid, Spain. Solo Show by Agustina Woodgate in the section “Profiles. Latin American Art” curated by José Esparza Chong Cuy.
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
30.01.2026 Works by Martín Legón, Nicanor Aráoz and Marcelo Pombo are part of El orden imposible del mundo, at Fundacion Proa. Curated by Francisco Lemus, the group show brings together artworks that marked bold acquisitions by Argentine collectors.
27.01.2026 We are thrilled to announce the selection of Matías Duville to represent Argentina at the 61st International Art Exhibition of the Venice Biennial. The project chosen for the Argentine Pavilion is “Monitor Yin Yang”, curated by Josefina Barcia. From May 9 to November 22, 2026, Venice, Italy.
BARRO ARTE CONTEMPORANEO
BUENOS AIRES, ARG +54 11 4978 3759
NEW YORK, USA +1 212 652 4410