Marcelo Pombo (Buenos Aires, 1959) is a reference figure in the art that emerged in the 1990s at the “Centro Cultural Rojas.” The appearance of an aesthetic removed from hard conceptualism stimulated theoretical debate on categories like kitsch, light, banal, pink and gay. Pombo used pop icons such as juice cartons and other ready-madeitems of everyday consumption. He carried out interventions on them both psychodelically and ornamentally with drops of enamel, bows and accessories imitating jewellery. He thus ironically highlighted the relationship between art and handicrafts, and vulgarity-luxury, questioning the legitimisation implied by value in art. In his paintings space is represented as a scenography of superimposed planes, a modality that links him to the iconographic tradition of Argentine landscapes.
His most recent exhibitions include Marcelo Pombo, un artista del pueblo (Colección de Arte Amalia Lacroze de Fortabat, 2015), Los duendes del campo decoraron el patrimonio durante la noche (Museo de Arte Contemporáneo de la Universidad Nacional del Litoral, 2013), Mi primera exposición en Galería Witcomb, (Castagnino-Roldán, 2012).
[...] "Finding its way between agitating self-consciousness and sleepwalking automatism, Marcelo Pombo reads History and his story over and over again in an exhibition that unfolds as strangely as dreams: a series of successive stations holding particularly vivid, mystifying instants of contemplation, visionary images. The iconographies he has been treasuring throughout his extensive journey return once again but disruptively". Federico Baeza for Templos de barrio by Marcelo Pombo.
31.08.2019 Fantasy, hallucinogenic states, humor and erotism serve to create imaginary worlds inspired by erotic art from the Moche culture of Northwest Peru. Miguel Ángel Ríos goes on a hallucinogenic trip through his own fantasies and with reference to the fragmentation of shapes and the self.
31.08.2019 Artists: Xil Buffone, Cristina Coll, Josefina Labourt, Maruki Nowacki. Editor: Martín Legón. Curators: Guadalupe Creche & Martín Legón
25.08.2019 MATIAS DUVILLE: DESERT MEANS OCEAN. Museum of Latin American Art (MOLAA). August 25— December 1, 2019.
13.06.2019 Basel, Switzerland. Aguas Calientes by Gabriel Chaile. Statements presents exciting new solo projects by emerging artists, who are eligible to receive the prestigious Baloise Art Prize.
01.06.2019 Artist: Lido Iacopetti Editor: Martín Legón. Curators: Ángeles Azcua y Jimena Ferreiro. co-produced with Aldo de Sousa Gallery.
29.05.2019 Nicanor Aráoz in Una historia de la imaginación en la Argentina at the Museum of Modern Art in Buenos Aires. Curator: Javier Villa. Until 27.10
29.05.2019 Gabriel Chaile proposes a “Genealogy of the Shape” as a collective poem that is constantly under construction. An ensemble of sculptures is organized in the exhibiting space as a large organism that breathes through arteries of steel and copper.
28.05.2019 Amalia Ulman’s “Privilege” at 2019 Digital Art Curatorial Exhibition Program - Immortal on screen. Collective show at National Taiwan Museum of Fine Arts. Curator: TSENG Yu-Chuan.
15.05.2019 Agustina Woodgate, with the work “National Times”, selected by the Whitney Biennial being the first Argentinian woman artist to participate in one of the most import Art Biennials. Until Sep 22th
11.05.2019 Poetry, Songs and Performance at Marcelo Pombo's Show