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Nicanor Aráoz


Nicanor Aráoz (Buenos Aires, 1981) produces objects, installations and sculptures using as reference images from comics, imagery from the Internet and romantic mythologies taken from gothic art. In his works, procedures involving the making of a surrealistic object, such as the assembly of dissimilar elements and a oneiric component, take on frantic forms resembling nightmares where pleasure and pain seem to merge. Aráoz uses materials as if they were to expiate sadistic sensations and takes them to the utmost limits of expressivity and torsion. In narrative scenes, he mixes plaster monsters, amorphous masses of resin, trainers, neon lights and biscuits with embalmed cats, mice and birds, thus shaping a world of emotional psychedelics with visual references to the domestic environment of an adolescent.
His latest works include Because I am never what I have (The Emily Harvey Foundation, New York, 2017); Antología genética (Universidad Torcuato Di Tella, Buenos Aires, 2016); Glótica (Barro, Buenos Aires, 2015); IMNXTC (Museo de Arte Moderno de Buenos Aires, 2013). Aráoz has received a scholarship from ISCP (International Studio & Curatorial Program, New York) where he studied for three months during 2017.

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exhibitions

Placenta escarlata
28.03.2018

[...] The construction of Gothic environments can be envisioned as an obsessive insistence that has gradually perfected Nicanor Aráoz’s art. That energy is a form of imagination that operates by exacerbating the tensions that organize the real: its expressive language is the symptomatic torment produced by the historical and hysterical antagonisms between good and evil, the healthy and the sick, the sanctioned and the perverse, crime and law, the repressive control of forms and the monstrous abundance of the deformed.

news

29.05.2019 Nicanor Aráoz at Mamba

publications

Nicanor Aráoz. Antología genética. UTDi Tella y Mansalva, Buenos Aires, 2018

Glótica, Nicanor Aráoz. Barro Ediciones, Buenos Aires, 2015




Exhibitions

BARDO

24.10.2019 The Gallery is closed now. Upcoming Exhibition: Bardo — 5 años. Group Show. Opening: November 8,2019

News

Pombo and Chaile at Roldan Moderno

24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.

News

Amalia Ulman at Exposures

20.09.2019 At London Open House 2019, London UK @openhouselondon. Curators: Melina Berkenwald & Alessio Antoniolli @gasworkslondon 

Fairs

Contemporary Istambul

12.09.2019 Istanbul, Turkey. Matías Duville presents a Solo Project in the Main Sector of the fair, which this year has the artistic direction of Anissa Touati.

Exhibitions

Mi nombre es Lima

31.08.2019 Fantasy, hallucinogenic states, humor and erotism serve to create imaginary worlds inspired by erotic art from the Moche culture of Northwest Peru. Miguel Ángel Ríos goes on a hallucinogenic trip through his own fantasies and with reference to the fragmentation of shapes and the self. 

Exhibitions

Cámara#2 / Espíritu Nómade

31.08.2019 Artists: Xil Buffone, Cristina Coll, Josefina Labourt, Maruki Nowacki. Editor: Martín Legón. Curators: Guadalupe Creche & Martín Legón

News

Duville at Molaa, Long Beach, California

25.08.2019 MATIAS DUVILLE: DESERT MEANS OCEAN. Museum of Latin American Art (MOLAA). August 25— December 1, 2019.

Fairs

Art Basel

13.06.2019 Basel, Switzerland. Aguas Calientes by Gabriel Chaile. Statements presents exciting new solo projects by emerging artists, who are eligible to receive the prestigious Baloise Art Prize

Exhibitions

Cámara#1 / Imaginante popular

01.06.2019 Artist: Lido Iacopetti Editor: Martín Legón. Curators: Ángeles Azcua y Jimena Ferreiro. co-produced with Aldo de Sousa Gallery.

News

Nicanor Aráoz at Mamba

29.05.2019 Nicanor Aráoz in Una historia de la imaginación en la Argentina at the Museum of Modern Art in Buenos Aires. Curator: Javier Villa. Until 27.10




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