Fairs
Arco 2016
24.02.2016 Madrid, Spain. in the #Opening Section of ARCO, curated by Juan Canela, BARRO presents works by Nicanor Aráoz, and Nani Lamarque.
Exhibitions
Autoamerican
14.11.2015 In Autoamerican, Alejandra Seeber takes scraps and observes generalities in order to recreate her own America as a collection of unpredictable personal snapshots. Curator Sonia Becce.
Actions
Barro Ediciones
20.10.2015 With the aim of helping to publicise the work and career of its artists, Barro is launching an editorialproject to promote a policy of free publications in print format and also available on- line to download.
Exhibitions
Glótica
15.09.2015 Like the stage designer of a drag terror genre with neon lights and house music, parties for Nicanor Aráoz are a ritual of liberation that are on the verge of descending into the horror of a bad LSD trip.
News
Nicola Costantino. La artefacta
14.09.2015 The BFI London Film Festival will see the première of Nicola Costantino. La Artefacta, by Natalie Cristiani. The film falls within the documentary genre but also uses resources commonly seen in fiction and contemporary art.
Fairs
ArtRio 2015
10.09.2015 Rio de Janeiro, Brazil. The booth at Art Rio includes work by Nicanor Aráoz, Diego Bianchi, Matías Duville, Nani Lamarque and Alejandra Seeber.
Actions
Dialogues #1. Marcelo Pombo and Martín Legón
03.09.2015 As part of the exhibition Marcelo Pombo, obras recientes en Barro, the artist Martín Legón interviews Marcelo Pombo, kicking off a series of interviews at the gallery .
News
Mutações, Matias Duville at the Modern Art Museum, Rio de Janeiro
14.07.2015 Mutações offers a complex overview of themes such as mutation, housing and time through a selection of works created between 2002 and 2015.
News
Matías Duville at MoMA
10.07.2015 Caravan (2011. Charcoal on paper. 150 x 288 cms) Matias Duville is part of the collection of the Museum of Modern Arte (MoMA) New York, USA since 2015.
Exhibitions
Marcelo Pombo, obras recientes en barro
04.07.2015 Marcelo Pombo presents a series of showcases and two pieces of sackcloth, which he uses to associate concrete art, informalism, craftsmanship and terrestrial aspects (represented by mud).
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