28.03.2018 This time we unquestionably find ourselves before a desire alien to the expressive mission of the thousand tongues in the shadow. We are before a desire that investigates a new possible future, one forged from visceral and turbulent emotions, from muddled feelings and negative utopias. [...] Placenta Escarlata can be envisioned as a strange environment where the inevitable promise of a new twisted future is finally brought to the surface, and it looks like a dark room that holds the most intense moment of a ritual made up of a mass of bestial bodies in motion desperately looking for the new destructive incarnation of freedom, that signal that leads the dizzy arrow of an intoxicated daydream amidst the remains of a reality enraptured by knots of the repressive and that finally warns us that we have reached the gates of the pleasure dome. [...] Like the devout one who lets himself be intoxicated by the promise of muddled feelings and seriously undertakes the infectious multiplication of the occult, Nicanor Aráoz shows us, in this obscene chamber, further research that, before the freezing heat of neon light, shares the passion that takes hold of him in secret, that torments him until he is driven to utter the most beautiful spell in the history of the night—the one that stubbornly inquires into the possibility of a new life. Fragment of text “666999” by Nicolás Cuello
Nicolás Cuello. "Bestiario". Suplemento Soy, Página/12, abril de 2018
Laura Isola. "Un ruinoso esplandor". Perfil, abril de 2018
Emanuel Franco. "Placenta Escarlata". Revista Otra Parte, abril de 2018
17.12.2024 Juxtaposing the past and the present, the exhibition presents works from different periods and artistic currents, highlighting visions of LGBTQIA+ historias that transcend time and space, as well as pointing to strategies of resistance. Curated by Adriano Pedrosa & Julia Bryan-Wilson at Museo de Arte de São Paulo, MASP. Until abril, 2025.
06.12.2024 Miami Beach, USA. BARRO presents a series of works by Mondongo, La Chola Poblete, Lucrecia Lionti and Joaquín Boz. The artworks selected for this edition call into question the conceptual relation between materiality and image. Main Sector, Convention Center, Florida.
17.11.2024 Cárcel & Vals, 2024, textile artwork by Lucrecia Lionti, won the Award Gobierno de la Provincia de Santa Fe (acquisition) by unanimous decision. The award jury was made up of Fernando Farina, Nancy Rojas and Lucía Stubrin
16.11.2024 BARRO Buenos Aires presents Los jóvenes olvidaron sus canciones o Tierra de fuego (Parte II), the second exhibition by GABRIEL CHAILE in the gallery. With a text by Filipa Ramos, the show presents a new line of work the artist began this year and consists in a film with mural drawings made from adobe and iron.
15.11.2024 On Saturday November 16th, BARRO Buenos Aires opens Los jóvenes olvidaron sus canciones o Tierra de fuego (Parte II), the second exhibition by Gabriel Chaile in the gallery. With a text by Filipa Ramos, the show presents a new line of work the artist began this year and consists in a film of mural drawings made of adobe and iron.
30.09.2024 SHOW / FAIR / PARTY We celebrate the gallery’s first 10 years (2014—2024) THANK YOU everyone who is and was part of it!—BARRO es 10—Nicanor Aráoz, Joaquín Boz, Nacha Canvas, Gabriel Chaile, Matias Duville, Faivovich & Goldberg, Mónica Giron, Martín Legón, Lucrecia Lionti, Lolo y Lauti, Mondongo, La Chola Poblete, Marcelo Pombo, Pablo Reinoso, Alejandra Seeber, Agustina Woodgate—
21.09.2024 La vida que explota by Gabriel Chaile, Claudia Alarcón and Silät. Curator: Andrei Fernández. The sculptural ensemble of anthropomorphized beings constitutes a group portrait of Gabriel Chaile’s family tree. The work was presented for the first time at the Venice Biennial 2022 and is now exhibited permanently in the Chaile Pavilion at the recently inaugurated MALBA—PUERTOS, Escobar.
21.09.2024 “Argentina” is a set of fifteen paintings made as bas-reliefs with plasticine and other unconventional materials. These represent views of the Argentine Mesopotamian landscape in the province of Entre Ríos, which is characterized by a cycle of flooding that oscillates between the death and rebirth of the region’s flora. At Ensayos naturales I by Mondongo & Luis Ouvrard. Curated by Alejandra Aguado. MALBA—PUERTOS, Escobar.
14.09.2024 More Heat Than Light is Agustina Woodgate’s first individual exhibition in a Dutch institution. The show explores the relationship between temperature and information, and so stages an experimental communications infrastructure that reflects the unpredictable transactions between measuring and knowing.
02.09.2024 GROUP SHOW / We celebrate the gallery’s first 10 years (2014—2024) THANK YOU everyone who is and was part of it!
BARRO ARTE CONTEMPORANEO
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