News
Legón at Castagnino+macro
11.05.2018 Martín Legón. Reinserciones en los sistemas de consumo (Las razones por las que escribimos son más importantes que lo escrito en sí) De la serie El triunfo de la muerte, 2012. Original photograph by Marcos López (Asado en Mendiolaza, 2001), copy destroyed by the artist to prevent its commercialization. 266 x 98,5 x 7 cm. Collection Museo Castagnino+macro, Rosario
News
Boz at Castagnino+macro
11.05.2018 Joaquín Boz. Sin título, 2012. Oil, turpentine and linseed oil on paper. 200 x 400 cm- 8 paper panels. Collection Museo Castagnino+macro, Rosario
News
Costantino at Castagnino+macro
11.05.2018 Nicola Costantino. Sin título, 2000. Boxes made of wood and aluminum with resin casings from foals and calves. Variable measures. Colection Museo Castagnino+macro, Rosario
News
Pombo at Castagnino+macro
11.05.2018 Marcelo Pombo. Caja Azul, 1999. Cardboard box lined with wrapping paper, transparent nylon bag filled with small polystyrene balls, polyethylene ribbons and embossed paint. 20 x 24 x 20 cm. Colection Museo Castagnino+macro, Rosario.
News
Pardés by Nicola Costantino
04.05.2018 Pardés is the site-specific installation of Nicola Costantino, created especially for the Sala Laberinto. It means "orchard" in Hebrew and refers also to the idea of Eden, that place that is reached to delight with all the fruits offered. Usina del arte, Buenos Aires.
Fairs
SP Arte 2018
11.04.2018 São Paulo, Brazil. Matías Duville participates in the Solo Setor, dedicated to projects of a single artist and curated by Luiza Teixeira de Freitas.
Exhibitions
Placenta escarlata
28.03.2018 [...] The construction of Gothic environments can be envisioned as an obsessive insistence that has gradually perfected Nicanor Aráoz’s art. That energy is a form of imagination that operates by exacerbating the tensions that organize the real: its expressive language is the symptomatic torment produced by the historical and hysterical antagonisms between good and evil, the healthy and the sick, the sanctioned and the perverse, crime and law, the repressive control of forms and the monstrous abundance of the deformed.
News
Amalia Ulman at China
22.03.2018 ‘Privilege’ Amalia Ulman’s first solo show in KWM Art Center, The aim of the exhibition is to introduce Ulman’s practice to a new audience exposing the contradictory roles of contemporary professional and private life as they play out amongst a monopoly of contemporary stereotypes.
Fairs
The Armory
Show 2018
08.03.2018 New York, USA. For the first time, BARRO is present at The Armory Show. In this edition, Nicanor Aráoz and Amalia Ulman participate with installation, video, drawings, sculpture, and objects. Pier 92, Booth F9.
News
Metamorphoses – Let Everything Happen to You
06.03.2018 Curated by Chus Martínez for Castello di Rivoli, Torino, Italy, the exhibition Metamorphoses – Let Everything Happen to You explores the concept of transformation and flourishing through the works of emerging international artists. It includes works of Nicanor Aráoz among other artists. Until June 26th, 2018
BARRO ARTE CONTEMPORANEO
BUENOS AIRES, ARG +54 11 4978 3759
NEW YORK, USA +1 212 652 4410