Matías Duville (Buenos Aires, 1974) works with objects, videos and installations, although his production has mainly grown out of drawing. His works evoke scenes of desolation with rarified, timeless atmospheres like those that precede a natural disaster: hurricanes, tsunamis or scenes of abandonment in a forest that represent a dreamlike vision of a wandering explorer, like a mental landscape. Duville’s work is characterized by experimentation with different mediums and materials. With his expressive strokes and procedures which reveal certain brutality, he modifies the surface by leaving traces in the representation, marks which blend the nature of matter with the landscape. The tension between opposites, mutation and time are some of the subjects that feature in his most recent works. He lives and works between Buenos Aires and Mar del Plata.
Duville was selected to represent the country at the Argentine Pavilion at the Venice Biennial 2026 with his project Monitor Yin Yang, curated by Josefina Barcia. Highlights of his solo shows include Vertices of time (BARRO, New York, 2024), El fondo inestable (BARRO, Buenos Aires, 2023), Arena Parking (Fundação Getulio Vargas, Río de Janeiro, 2021), Hotel Palmera (Colección Fortabat, Buenos Aires, 2020), Desert means ocean (MOLAA, Los Angeles, 2019), Projection Soul (Galeria Luisa Strina, São Paulo, 2019), Romance atómico (BARRO, Buenos Aires, 2017), The Valise Project (MoMA, New York, 2017), Arena Parking (Art Basel, Miami Beach, 2016; Centro Cultural Recoleta, Buenos Aires, 2015), Mutações (MAM, Rio de Janeiro, 2015), Precipitar una especie (BARRO, Buenos Aires, 2014), Discard Geography (Ecole de Beaux Arts, Paris, 2013), Safari (Malba, Buenos Aires, 2013) and Alaska (Drawing Center, New York, 2013). Highlights of group shows in which he participated are Moderno y metamoderno and La trama sensible (Museo Moderno, Buenos Aires, 2024), The Atlantic Ocean (Henie Onstad Kunstsenter, Oslo, 2024), What the night tells the day (Padiglione d’Arte Contemporanea, Milan, 2023), Beneath the surface, Behind the scenes (Heide Museum of Modern Art, Melbourne, 2023), rīvus, (Biennale of Sydney, 2022), Art in the field (Estadio Municipal Paulo Machado de Carvalho – Pacaembu, Sao Paulo, 2020), Nuestra América (Galeria Luisa Strina, Sao Paulo, 2019) and Disruptions (Art Basel Cities, Miami Beach, 2019).
Through his works, Duville invites viewers on a journey through desolate landscapes, imbued with rarefied and eternal atmospheres that seem to herald natural cataclysms or scenes of vital abandonment that suggest the dreamlike exploration of an absent observer. In his most recent works, themes such as duality, transformation, and the passage of time take center stage.
César Aira, “Una repentina sensación de poesía”, Página 12, Buenos Aires, 2020.
Santiago García Navarro, “Extracción del vacío”, Rio de Janeiro, 2012. Text accompanying the exhibition Safari, Malba.
Sonia Becce, “Whistle”, Buenos Aires, 2011. Interview on the occasion of the exhibition Whistle. Galería Nueveochenta, Bogota, Colombia.
María Gainza, “¿Dr. Duville, supongo?”, Buenos Aires, 2010. Published in the Matías Duville edition, Esto fue otro lugar.
Eva Grinstein, “Historias de intemperie. Drawings and paintings by Matías Duville”, Arte al Día, Buenos Aires, 2008.
06.03.2026 La Chola Poblete: pop andino, is La Chola's first exhibition in Brazil. Curated by Adriano Pedrosa and Leandro Muniz, the exhibition brings together 31 works, including 14 watercolors from the iconic series Vírgenes cholas, exhibited at the Venice Biennale in 2024. At the São Paulo Museum of Art (MASP) until August 8, 2026.
04.03.2026 Madrid, Spain. Solo Show by Agustina Woodgate in the section “Profiles. Latin American Art” curated by José Esparza Chong Cuy.
03.02.2026 Woodgate is participating in the third edition of the Diriyah Contemporary Art Biennale, In Interludes and Transitions. Curated by Nora Razian and Sabih Ahmed. She is the only participant from Argentina and presents a new instance of The Source, a series of artworks taking the shape of site-specific water infrastructures. In Diriyah, UAE.
01.02.2026 A work by Gabriel Chaile will be exhibited for the first time at the Guggenheim Bilbao. The group show Artes de la tierra, curated by Manuel Ciruaqui, addresses the current state of the environment with a collection of works that refer to the soil as a substrate. Until May 3rd, 2026. Bilbao, Spain.
30.01.2026 Works by Martín Legón, Nicanor Aráoz and Marcelo Pombo are part of El orden imposible del mundo, at Fundacion Proa. Curated by Francisco Lemus, the group show brings together artworks that marked bold acquisitions by Argentine collectors.
27.01.2026 We are thrilled to announce the selection of Matías Duville to represent Argentina at the 61st International Art Exhibition of the Venice Biennial. The project chosen for the Argentine Pavilion is “Monitor Yin Yang”, curated by Josefina Barcia. From May 9 to November 22, 2026, Venice, Italy.
01.01.2026 The fifteen panels that compose Argentina, the landscape of Entre Ríos made from plasticine by the collective Mondongo, go on a national tour. The first stop is the Museo Municipal de Bellas Artes Juan B. Castagnino in Rosario, followed by a second stop at the Rawson Museum in San Juan through the end of March.
05.12.2025 Miami Beach, USA. BARRO presents works by Mondongo, La Chola Poblete, Alejandra Seeber, Pablo Reinoso, and Guillermo Kuitca in the fair’s Main Section. Convention Center, Florida.
08.11.2025 LA CHOLA POBLETE —En el aire— Curated by Antonio Villa. A film set, a stage, paintings and photographs of La Chola immerse us in the performance of her present as an artist. The sophisticated web of references and the spectacular mise-en-scène do not produce a single effect. It is a cocktail of quotes from an artist who is excessive for the extremes she touches, and exquisite for the abundance of cultured citations she weaves together.
24.10.2025 Mónica Giron presents TRUCO (trick – deceit – cunning – simulation), 2025, in collaboration with Antonio Panno. The work is part of the Cuenca Biennial, curated by Gustavo Buntinx. On view starting October 24 at the Municipal Museum of Modern Art and Casa de la Lira, in Cuenca, Ecuador.
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