Since 2006, Guillermo Faivovich (1977, Buenos Aires) and Nicolás Goldberg (1978, Paris) have been engaged in an intensive and wide-ranging research project—A Guide to Campo del Cielo—that forms the basis of their practice. Campo del Cielo is located in northern Argentina and was the site of a meteor shower about 4,000 years ago. Faivovich & Goldberg combine the roles of scientist, historian, anthropologist, and even bureaucrat, to conduct projects that suggest new ways of seeing and experiencing the terrestrial results of a long ago cosmic event, as well as thinking about its historical and cultural significance. For over a decade, the duo has produced a diverse body of work, laboriously mining the particularities of a singular event, Faivovich & Goldberg illuminate broadly resonant themes: the dynamics between an object and its documentation, the inherent complexities of institutional histories, and the complicated personal, cultural, and national relationships that develop with artifacts.
Some of Faivovich & Goldberg’s latest projects are El Mataco (Museo Histórico Provincial de Rosario Julio Marc, 2019), Mesón de fierro: Towards the XXII Century (Naciones Unidas, Viena, 2019), In search of Mesón de Fierro (Naturhistorisches Museum, Vienna, 2018), Decomiso (ASU Art Museum, Arizona, 2018), Un meteorito para la Sociedad Científica del año 2105 (U-Turn, ArteBA, Buenos Aires, 2018), Número 11 Gwangju Biennal (Korea, 2016), The San Juan Mass of Campo del Cielo en la Colección Guerrico (Museo Nacional de Bellas Artes, Buenos Aires, 2014), The weight of uncertainty (Documenta 13, Kassel, 2012), Los hoyos del Campo del Cielo y el meteorito (Fondazione Merz, Turin, 2011), Meteorit "El Taco” (Portikus, Frankfurt, 2010). They have also developed presentations and presented conferences in University Torcuato Di Tella, Buenos Aires (2018), Thyssen-Bornemisza Art Contemporary, Vienna (2017), Museo de Arte Latinoamericano de Buenos Aires (2017), Dia Art Foundation, New York (2013), and the Massachusetts Institute of Technology, Cambridge (2011). They live and work in Buenos Aires.
Having moved on from the administrative aesthetic and their flirtation with the bureaucracy of classification and organization of meteorite materials, ¡Saxa loquuntur! finds Faivovich & Goldberg taking the concept of the archive to an esoterically suggestive extreme.
Faivovich & Goldberg. En Búsqueda del Mesón de Fierro. TBA21, septiembre 2017
Florencia Böhtlingk. Revista Jennifer, junio 2017
Himali Singh Soin on Faivovich & Goldberg. Artforum, verano 2017
Julia Villaro. Revista Ñ Clarín, febrero 2017
Sara Demeuse. Farewell to Nature. Art in America, marzo 2015
Carolyn Christov-Bakargiev. Press release. documenta(13), 2012
Graciela Speranza. El Chaco en Kassel, 2012
Claudio Iglesias. Suplemento Radar, Pagina/12, febrero 2011
Catrin Lorch on Guillermo Faivovich & Nicolás Goldberg. Artforum, febrero 2011
Portikus “Meteorit El Taco”. E-flux, septiembre 2010
04.04.2025 Mónica GIRON and Nacha CANVAS participate in the group exhibition El aire vacilaba a su alrededor. Artistas latinoamericanas y sus poéticas del mundo, curated by Sofía Dourron. The exhibition proposes a reflection on how the notions of space, territory, and landscape are modulated by our bodies and, in turn, how our bodies are shaped by the environments that surround them.
15.03.2025 In Continents like seeds we can see how Poblete’s practice complicates how social and cultural identities are claimed, contested, or imposed without seeking resolution, but rather by opening conversations about life and transformation beyond inscribed territories. At CARA New York, until August 2025
14.03.2025 Fabril la mirada is Lucrecia Lionti's first solo show in a museum, curated by Carla Barbero and featuring an installation created especially for the exhibition. Fabril la mirada does not seek to reaffirm the telluric values of craft, but instead to confront its visual and ethical aspects.
06.01.2025 Gabriel Chaile’s first solo exhibition in Uruguay, curated by Pablo León de la Barra. A site-specific show featuring a series of new works created especially for the FCV in José Ignacio. On view until April 2025.
27.12.2024 Lo que la noche le cuenta al día, group exhibition including works by Matías Duville, presents a survey of Argentine art. Curated by Andrés Duprat and Diego Sileo. Part of the celebration of the Museum’s 10 years and the 150 years of Mar de Plata.
17.12.2024 Juxtaposing the past and the present, the exhibition presents works from different periods and artistic currents, highlighting visions of LGBTQIA+ historias that transcend time and space, as well as pointing to strategies of resistance. Curated by Adriano Pedrosa & Julia Bryan-Wilson at Museo de Arte de São Paulo, MASP. Until abril, 2025.
06.12.2024 Miami Beach, USA. BARRO presents a series of works by Mondongo, La Chola Poblete, Lucrecia Lionti and Joaquín Boz. The artworks selected for this edition call into question the conceptual relation between materiality and image. Main Sector, Convention Center, Florida.
17.11.2024 Cárcel & Vals, 2024, textile artwork by Lucrecia Lionti, won the Award Gobierno de la Provincia de Santa Fe (acquisition) by unanimous decision. The award jury was made up of Fernando Farina, Nancy Rojas and Lucía Stubrin
17.11.2024 “El Baptisterio de los colores”, installation by the group Mondongo, among other artworks of theirs, are on view as part of the show “Sin título” at its new home Arthaus. This “work-architecture” erected in the manner of a Pantone made of plasticine calls us to invent, in community, a new liturgy of color.
16.11.2024 BARRO Buenos Aires presents Los jóvenes olvidaron sus canciones o Tierra de fuego (Parte II), the second exhibition by GABRIEL CHAILE in the gallery. With a text by Filipa Ramos, the show presents a new line of work the artist began this year and consists in a film with mural drawings made from adobe and iron.
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