03.09.2015 Buenos Aires, August 2015
ML: Well, as I was saying, I was looking forward to interviewing you, particularly as the gallery is conducive to talk…
MP: What do you want to talk about? Barro?
ML: I wanted to ask you a few things, seeing as you had two exhibitions on at the same time.
MP: Fine. Fire away!
ML: I don’t know whether you heard comments from artists about the exhibition that ended a few days ago at the Colección Fortabat. Many saw it as a change of paradigm. It was an important moment for all of us who visited to be able to see your retrospective. So above all else I wanted to know how you feel seeing your work in perspective.
MP: Fine. I think that exhibition changed my life in the sense that people in the art world were able to see the work I’ve done over thirty years, and the feedback I’ve received is very gratifying. And the work with Inés Katzenstein was a stroke of luck, not only for everything she brought to it but also because I accepted each and every one of her decisions. It wasn’t in my plans to do a retrospective exhibition almost as the same time as an exhibition of my recent works in a gallery. They overlapped completely by chance. In the Colección Fortabat I’m free to choose the curator and propose Inés if she wants. And as I said, I totally abide by her wishes and preferences.
ML: That’s clear.
MP: And it’s what I suffered most early on… because in the mid-90s I was doing many pieces of work with a unique character, not series. Series weren’t of any interest to me. I preferred experimenting with techniques, modest experiments, little formats, pictures that were sellable, but I was always seeking to experiment. I wanted them to be unique. And during the 90s people didn’t think much of that. Galleries or institutions wanted series, the exploration of things that were similar to each other, and I was doing things that were really exceptional in comparison with each other. I experienced it as someone who wanted to entertain, as if they were magic tricks by a bad magician. So a retrospective like this one was a chance for me to show all my tricks and games… Download full dialogue
17.12.2024 Juxtaposing the past and the present, the exhibition presents works from different periods and artistic currents, highlighting visions of LGBTQIA+ historias that transcend time and space, as well as pointing to strategies of resistance. Curated by Adriano Pedrosa & Julia Bryan-Wilson at Museo de Arte de São Paulo, MASP. Until abril, 2025.
06.12.2024 Miami Beach, USA. BARRO presents a series of works by Mondongo, La Chola Poblete, Lucrecia Lionti and Joaquín Boz. The artworks selected for this edition call into question the conceptual relation between materiality and image. Main Sector, Convention Center, Florida.
17.11.2024 Cárcel & Vals, 2024, textile artwork by Lucrecia Lionti, won the Award Gobierno de la Provincia de Santa Fe (acquisition) by unanimous decision. The award jury was made up of Fernando Farina, Nancy Rojas and Lucía Stubrin
16.11.2024 BARRO Buenos Aires presents Los jóvenes olvidaron sus canciones o Tierra de fuego (Parte II), the second exhibition by GABRIEL CHAILE in the gallery. With a text by Filipa Ramos, the show presents a new line of work the artist began this year and consists in a film with mural drawings made from adobe and iron.
15.11.2024 On Saturday November 16th, BARRO Buenos Aires opens Los jóvenes olvidaron sus canciones o Tierra de fuego (Parte II), the second exhibition by Gabriel Chaile in the gallery. With a text by Filipa Ramos, the show presents a new line of work the artist began this year and consists in a film of mural drawings made of adobe and iron.
30.09.2024 SHOW / FAIR / PARTY We celebrate the gallery’s first 10 years (2014—2024) THANK YOU everyone who is and was part of it!—BARRO es 10—Nicanor Aráoz, Joaquín Boz, Nacha Canvas, Gabriel Chaile, Matias Duville, Faivovich & Goldberg, Mónica Giron, Martín Legón, Lucrecia Lionti, Lolo y Lauti, Mondongo, La Chola Poblete, Marcelo Pombo, Pablo Reinoso, Alejandra Seeber, Agustina Woodgate—
21.09.2024 La vida que explota by Gabriel Chaile, Claudia Alarcón and Silät. Curator: Andrei Fernández. The sculptural ensemble of anthropomorphized beings constitutes a group portrait of Gabriel Chaile’s family tree. The work was presented for the first time at the Venice Biennial 2022 and is now exhibited permanently in the Chaile Pavilion at the recently inaugurated MALBA—PUERTOS, Escobar.
21.09.2024 “Argentina” is a set of fifteen paintings made as bas-reliefs with plasticine and other unconventional materials. These represent views of the Argentine Mesopotamian landscape in the province of Entre Ríos, which is characterized by a cycle of flooding that oscillates between the death and rebirth of the region’s flora. At Ensayos naturales I by Mondongo & Luis Ouvrard. Curated by Alejandra Aguado. MALBA—PUERTOS, Escobar.
14.09.2024 More Heat Than Light is Agustina Woodgate’s first individual exhibition in a Dutch institution. The show explores the relationship between temperature and information, and so stages an experimental communications infrastructure that reflects the unpredictable transactions between measuring and knowing.
02.09.2024 GROUP SHOW / We celebrate the gallery’s first 10 years (2014—2024) THANK YOU everyone who is and was part of it!
BARRO ARTE CONTEMPORANEO
BUENOS AIRES, ARG +54 11 4978 3759
NEW YORK, USA +1 212 652 4410