18.11.2014 Precipitar una Especie reveals a fundamental effort by Matías Duville to set in both space and volume some of the most important subjects addressed in his work. The installation that gives its name to the exhibition (26 x 9 x 8 metres) represents an evident tension between the hard and soft elements of which it is composed, a timeless link between forest and desert, science and nature. The drawings in the exhibition reflect a profound change of direction in the artist’s exploration, some of which is in high density(Noche Japón and Macizado) and others in marked contrast to light (Osamenta Bumeran). Completing the exhibition is the video installation Open House, a journey along a furrow that emerges from a lake and leads us to the remains of a disassembled house set in the middle of the humid Pampa.
25.08.2018 ARTISTS: MÓNICA GIRON / NICOLÁS GULLOTTA / IRENE KOPELMAN / ALFREDO LONDAIBERE / MARCELO POMBO / ALEJANDRA SEEBER / AMALIA ULMAN / AGUSTINA WOODGATE. CURATOR: SONIA BECCE. Until October 6th
14.07.2018 Gabriel Chaile, 70 veces 7, 2018. Instalation Site Specific. Irons and bricks, 300 x 330 x 300 cm. Colección Fundación Tres Pinos. MARCO–Museo de Arte Contemporáneo de La Boca
12.06.2018 [...] There is a phenomenon that science still has not been able to explain called crown shyness. Certain species of trees’ branches grow close but never graze each other. As if they could communicate, each tree establishes the margins of its own space, its own territory. Verónica Flom for Los días.
25.05.2018 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Joaquín Boz, Nicola Costantino, Matías Duville, Mondongo, Alejandra Seeber, Amalia Ulman and Agustina Woodgate in the main section of the fair. And is involved with CABINET by Marcelo Pombo.
24.05.2018 Red Sunset, 2018. Sanguine on paper, 100 x 70 cm. Matias Duville is part of the collection of the Museum of Latin American Art (MOLAA), Long Beach, USA.
13.05.2018 As a closing exhibition of his BAR project residency. The seduction of the innocents displays a new essay of Martin Legón. This work, mix between anthropology, poetry, and sociology of the media, breaks down the paradoxical place occupied by the artistic object today.
11.05.2018 Nicanor Araoz. Sin título, 2008. Wood, wooden shelves, wall paper, jar and chocolate Nesquik, decorated plate and light socket. 200 x 140 x 21 cm. Colection Museo Castagnino+macro, Rosario.
11.05.2018 Nicola Costantino. Animal Motion Planet, máquina para caballo nonato, 2003. Drawing, chrome iron and motor. 170 x 60 x 105 cm (machine) / 55,8 x 80 cm (Drawing). Collection Museo Castagnino+macro, Rosario
11.05.2018 Martín Legón. Reinserciones en los sistemas de consumo (Las razones por las que escribimos son más importantes que lo escrito en sí) De la serie El triunfo de la muerte, 2012. Original photograph by Marcos López (Asado en Mendiolaza, 2001), copy destroyed by the artist to prevent its commercialization. 266 x 98,5 x 7 cm. Collection Museo Castagnino+macro, Rosario
11.05.2018 Joaquín Boz. Sin título, 2012. Oil, turpentine and linseed oil on paper. 200 x 400 cm- 8 paper panels. Collection Museo Castagnino+macro, Rosario