14.11.2015 In Autoamerican Alejandra Seeber works with the Barro space as if it were a giant display. She creates an installation of paintings, objects and videos in which, by means of a system of montages, she combines elements as dissimilar as a work by Richard Serra, rationalist buildings in the United States and the hexagonal shape of the landing stage of the lake at Chascomús. In the exhibition Seeber copies, translates and pastes different spaces and moments, taking from them everything that attracts her attention. Autoamerican cites the Blondie album of the 80s and examines what it means to live in a generic, imprecise America, from which she takes scraps and observes generalities in order to recompose her own version, as a collection of unpredictable personal snapshots.
24.10.2018 For the work of art to be a transforming agent, the ability of analysis and interpretation has to exist. In this exhibition, Mónica Giron formalizes the different methodologies she applies to refine perception and acquire knowledge both in her life and in her work production as well as in her practice in the artist formation area. Until December 15th
20.10.2018 Decomiso is an installation-based exhibition by the Argentinian contemporary artist duo Guillermo Faivovich & Nicolas Goldberg.
12.09.2018 PRIVILEGE is present at ORGAN VIDA. International Photograpy Festival. Museum of Contemporary Art, Zagreb, Croatia.
25.08.2018 ARTISTS: Mónica Giron / Nicolás Gullotta / Irene Kopelman / Alfredo Londaibere / Marcelo Pombo / Alejandra Sebeer / Amalia Ulman / Agustina Woodgate. CURATOR: Sonia Becce
01.08.2018 The international program of artist residencies of Inclusartiz Institute aims to invite artists, writers, intellectuals and/or trustees international, to spend a season in Rio de Janeiro doing research and making new work.
14.07.2018 Gabriel Chaile, 70 veces 7, 2018. Instalation Site Specific. Irons and bricks, 300 x 330 x 300 cm. Colección Fundación Tres Pinos. MARCO–Museo de Arte Contemporáneo de La Boca
12.06.2018 [...] There is a phenomenon that science still has not been able to explain called crown shyness. Certain species of trees’ branches grow close but never graze each other. As if they could communicate, each tree establishes the margins of its own space, its own territory. Verónica Flom for Los días.
25.05.2018 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Joaquín Boz, Nicola Costantino, Matías Duville, Mondongo, Alejandra Seeber, Amalia Ulman and Agustina Woodgate in the main section of the fair. And is involved with CABINET by Marcelo Pombo.
24.05.2018 Red Sunset, 2018. Sanguine on paper, 100 x 70 cm. Matias Duville is part of the collection of the Museum of Latin American Art (MOLAA), Long Beach, USA.
13.05.2018 As a closing exhibition of his BAR project residency. The seduction of the innocents displays a new essay of Martin Legón. This work, mix between anthropology, poetry, and sociology of the media, breaks down the paradoxical place occupied by the artistic object today.