15.09.2015 Glothic is a graft, a word that is somewhat like the guttural sound of a cry of pleasure stifled by a spurt of blood: a limbo in which the boundary between pain and pleasure is blurred, social taboos fall and a Freudian slip puts victims and victimisers on the same plane. With images of scenes of sadomasochism, to the southern Gothic novel of the 19th century and to the psychedelia of LSD, Nicanor Aráoz is the stage designer for a new genre of terror, transforming the large Barro building into a raucous party that threatens to descend into the horror of a bad LSD trip. Among the neons and fluorescent colours of drag aesthetics and house music, Aráoz creates scenes with zombie-like sculptures and gory tortures, in which black humour would seem to be the only possible form of atonement. The exhibition explores the idea of the ritual of liberation as a promise of transcendence that conceals on the other side the imminent possibility of slipping into a nightmare.
24.10.2018 For the work of art to be a transforming agent, the ability of analysis and interpretation has to exist. In this exhibition, Mónica Giron formalizes the different methodologies she applies to refine perception and acquire knowledge both in her life and in her work production as well as in her practice in the artist formation area. Until December 15th
24.10.2018 Introduction to Feng Shui and the concept of Reflex Zones, from the practice of Contemporary Art.
20.10.2018 Decomiso is an installation-based exhibition by the Argentinian contemporary artist duo Guillermo Faivovich & Nicolas Goldberg.
12.09.2018 PRIVILEGE is present at ORGAN VIDA. International Photograpy Festival. Museum of Contemporary Art, Zagreb, Croatia.
25.08.2018 ARTISTS: Mónica Giron / Nicolás Gullotta / Irene Kopelman / Alfredo Londaibere / Marcelo Pombo / Alejandra Sebeer / Amalia Ulman / Agustina Woodgate. CURATOR: Sonia Becce
01.08.2018 The international program of artist residencies of Inclusartiz Institute aims to invite artists, writers, intellectuals and/or trustees international, to spend a season in Rio de Janeiro doing research and making new work.
14.07.2018 Gabriel Chaile, 70 veces 7, 2018. Instalation Site Specific. Irons and bricks, 300 x 330 x 300 cm. Colección Fundación Tres Pinos. MARCO–Museo de Arte Contemporáneo de La Boca
12.06.2018 [...] There is a phenomenon that science still has not been able to explain called crown shyness. Certain species of trees’ branches grow close but never graze each other. As if they could communicate, each tree establishes the margins of its own space, its own territory. Verónica Flom for Los días.
25.05.2018 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Joaquín Boz, Nicola Costantino, Matías Duville, Mondongo, Alejandra Seeber, Amalia Ulman and Agustina Woodgate in the main section of the fair. And is involved with CABINET by Marcelo Pombo.
24.05.2018 Red Sunset, 2018. Sanguine on paper, 100 x 70 cm. Matias Duville is part of the collection of the Museum of Latin American Art (MOLAA), Long Beach, USA.