28.03.2018 This time we unquestionably find ourselves before a desire alien to the expressive mission of the thousand tongues in the shadow. We are before a desire that investigates a new possible future, one forged from visceral and turbulent emotions, from muddled feelings and negative utopias. [...] Placenta Escarlata can be envisioned as a strange environment where the inevitable promise of a new twisted future is finally brought to the surface, and it looks like a dark room that holds the most intense moment of a ritual made up of a mass of bestial bodies in motion desperately looking for the new destructive incarnation of freedom, that signal that leads the dizzy arrow of an intoxicated daydream amidst the remains of a reality enraptured by knots of the repressive and that finally warns us that we have reached the gates of the pleasure dome. [...] Like the devout one who lets himself be intoxicated by the promise of muddled feelings and seriously undertakes the infectious multiplication of the occult, Nicanor Aráoz shows us, in this obscene chamber, further research that, before the freezing heat of neon light, shares the passion that takes hold of him in secret, that torments him until he is driven to utter the most beautiful spell in the history of the night—the one that stubbornly inquires into the possibility of a new life. Fragment of text “666999” by Nicolás Cuello
13.06.2019 Basel, Switzerland. Aguas Calientes by Gabriel Chaile. Statements presents exciting new solo projects by emerging artists, who are eligible to receive the prestigious Baloise Art Prize.
29.05.2019 Nicanor Aráoz in Una historia de la imaginación en la Argentina at the Museum of Modern Art in Buenos Aires. Curator: Javier Villa. Until 27.10
29.05.2019 Amalia Ulman’s “Privilege” at 2019 Digital Art Curatorial Exhibition Program - Immortal on screen. Collective show at National Taiwan Museum of Fine Arts. Curator: TSENG Yu-Chuan.
29.05.2019 Gabriel Chaile proposes a “Genealogy of the Shape” as a collective poem that is constantly under construction. An ensemble of sculptures is organized in the exhibiting space as a large organism that breathes through arteries of steel and copper.
15.05.2019 Agustina Woodgate, with the work “National Times”, selected by the Whitney Biennial being the first Argentinian woman artist to participate in one of the most import Art Biennials. Until Sep 22th
11.05.2019 Poetry, Songs and Performance at Marcelo Pombo's Show
11.04.2019 Buenos Aires, Argentina. The gallery includes works by Aráoz, Duville, Chaile, Goldberg & Faivovich, Legón, Mondongo, Seeber and Woodgate in the main section of the fair.
30.03.2019 [...] "Finding its way between agitating self-consciousness and sleepwalking automatism, Marcelo Pombo reads History and his story over and over again in an exhibition that unfolds as strangely as dreams: a series of successive stations holding particularly vivid, mystifying instants of contemplation, visionary images. The iconographies he has been treasuring throughout his extensive journey return once again but disruptively". Federico Baeza for Templos de barrio by Marcelo Pombo.
20.03.2019 Dubai, United Arab Emirates. Nicanor Aráoz presents a Solo Show in the Residents section. Director: Madinat Jumeirah, Al Sufouh. Booth G7
14.03.2019 Forum Mesón de Fierro: Towards the XXII Century. Words by Ambassador of Argentina Rafael Mariano Grossi, by Director of the Office for Outer Space Affairs Simonetta Di Pippo, by Director of the Museum of Natural History of Vienna Christian Köberl. Curator Daniela Zyman. United Nations Office at Vienna