Matías Duville (Buenos Aires, 1974) works with objects, videos and installations, although his production has mainly grown out of drawing. His works evoke scenes of desolation with rarified, timeless atmospheres like those that precede a natural disaster: hurricanes, tsunamis or situations of abandonment in the forest that act as a dreamlike vision of a wandering explorer, like a mental landscape. As a reference figure in local drawing, his work is characterised by experimentation with supports and materials. With his expressive strokes and procedures which reveal a certain brutality, he modifies the surface by leaving traces in the representation, marks which blend the nature of matter with the landscape. The tension between opposites, mutation and time are some of the subjects that feature in his most recent works.
His recent projects includes The Valise Project (MoMA, New York, 2017), Arena Parking (Art Basel, Miami, 2016) Arena Parking (Centro Cultural Recoleta, Buenos Airea, 2015), Mutações (MAM, Rio de Janeiro, 2015), Precipitar una especie, (Barro, Buenos Aires, 2014), Discard Geography (Ecole de Beaux Arts, Chapelle des Petits-Augustins, Paris, 2013), Safari (Malba, 2013) and Alaska (Drawing Center, New York, 2013).
Romance atómico Matías Duville / Guest Curator: Anissa Touati / Sound Design: Centolla Society
25.08.2018 ARTISTS: MÓNICA GIRON / NICOLÁS GULLOTTA / IRENE KOPELMAN / ALFREDO LONDAIBERE / MARCELO POMBO / ALEJANDRA SEEBER / AMALIA ULMAN / AGUSTINA WOODGATE. CURATOR: SONIA BECCE. Until October 6th
14.07.2018 Gabriel Chaile, 70 veces 7, 2018. Instalation Site Specific. Irons and bricks, 300 x 330 x 300 cm. Colección Fundación Tres Pinos. MARCO–Museo de Arte Contemporáneo de La Boca
12.06.2018 [...] There is a phenomenon that science still has not been able to explain called crown shyness. Certain species of trees’ branches grow close but never graze each other. As if they could communicate, each tree establishes the margins of its own space, its own territory. Verónica Flom for Los días.
25.05.2018 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Joaquín Boz, Nicola Costantino, Matías Duville, Mondongo, Alejandra Seeber, Amalia Ulman and Agustina Woodgate in the main section of the fair. And is involved with CABINET by Marcelo Pombo.
24.05.2018 Red Sunset, 2018. Sanguine on paper, 100 x 70 cm. Matias Duville is part of the collection of the Museum of Latin American Art (MOLAA), Long Beach, USA.
13.05.2018 As a closing exhibition of his BAR project residency. The seduction of the innocents displays a new essay of Martin Legón. This work, mix between anthropology, poetry, and sociology of the media, breaks down the paradoxical place occupied by the artistic object today.
11.05.2018 Nicanor Araoz. Sin título, 2008. Wood, wooden shelves, wall paper, jar and chocolate Nesquik, decorated plate and light socket. 200 x 140 x 21 cm. Colection Museo Castagnino+macro, Rosario.
11.05.2018 Nicola Costantino. Animal Motion Planet, máquina para caballo nonato, 2003. Drawing, chrome iron and motor. 170 x 60 x 105 cm (machine) / 55,8 x 80 cm (Drawing). Collection Museo Castagnino+macro, Rosario
11.05.2018 Martín Legón. Reinserciones en los sistemas de consumo (Las razones por las que escribimos son más importantes que lo escrito en sí) De la serie El triunfo de la muerte, 2012. Original photograph by Marcos López (Asado en Mendiolaza, 2001), copy destroyed by the artist to prevent its commercialization. 266 x 98,5 x 7 cm. Collection Museo Castagnino+macro, Rosario
11.05.2018 Joaquín Boz. Sin título, 2012. Oil, turpentine and linseed oil on paper. 200 x 400 cm- 8 paper panels. Collection Museo Castagnino+macro, Rosario