Matías Duville (Buenos Aires, 1974) works with objects, videos and installations, although his production has mainly grown out of drawing. His works evoke scenes of desolation with rarified, timeless atmospheres like those that precede a natural disaster: hurricanes, tsunamis or situations of abandonment in the forest that act as a dreamlike vision of a wandering explorer, like a mental landscape. As a reference figure in local drawing, his work is characterised by experimentation with supports and materials. With his expressive strokes and procedures which reveal a certain brutality, he modifies the surface by leaving traces in the representation, marks which blend the nature of matter with the landscape. The tension between opposites, mutation and time are some of the subjects that feature in his most recent works.
His recent projects includes The Valise Project (MoMA, New York, 2017), Arena Parking (Art Basel, Miami, 2016) Arena Parking (Centro Cultural Recoleta, Buenos Airea, 2015), Mutações (MAM, Rio de Janeiro, 2015), Precipitar una especie, (Barro, Buenos Aires, 2014), Discard Geography (Ecole de Beaux Arts, Chapelle des Petits-Augustins, Paris, 2013), Safari (Malba, 2013) and Alaska (Drawing Center, New York, 2013).
Romance atómico Matías Duville / Guest Curator: Anissa Touati / Sound Design: Centolla Society
12.05.2018 NEXT OPENING >>>> JOAQUÍN BOZ > MAY 12th >>>>> 17 PM
04.05.2018 Pardés is the site-specific installation of Nicola Costantino, created especially for the Sala Laberinto. It means "orchard" in Hebrew and refers also to the idea of Eden, that place that is reached to delight with all the fruits offered. Usina del arte, Buenos Aires.
11.04.2018 São Paulo, Brazil. Matías Duville participates in the Solo Setor, dedicated to projects of a single artist and curated by Luiza Teixeira de Freitas.
28.03.2018 [...] The construction of Gothic environments can be envisioned as an obsessive insistence that has gradually perfected Nicanor Aráoz’s art. That energy is a form of imagination that operates by exacerbating the tensions that organize the real: its expressive language is the symptomatic torment produced by the historical and hysterical antagonisms between good and evil, the healthy and the sick, the sanctioned and the perverse, crime and law, the repressive control of forms and the monstrous abundance of the deformed.
22.03.2018 ‘Privilege’ Amalia Ulman’s first solo show in KWM Art Center, The aim of the exhibition is to introduce Ulman’s practice to a new audience exposing the contradictory roles of contemporary professional and private life as they play out amongst a monopoly of contemporary stereotypes.
08.03.2018 New York, USA. For the first time, BARRO is present at The Armory Show. In this edition, Nicanor Aráoz and Amalia Ulman participate with installation, video, drawings, sculpture, and objects. Pier 92, Booth F9.
06.03.2018 Curated by Chus Martínez for Castello di Rivoli, Torino, Italy, the exhibition Metamorphoses – Let Everything Happen to You explores the concept of transformation and flourishing through the works of emerging international artists. It includes works of Nicanor Aráoz among other artists. Until June 26th, 2018
21.02.2018 Madrid, Spain. Matias Duville and Joaquín Boz (photo) participate in this edition. Booth 7 C02.
16.02.2018 Paris, France. Nicola Costantino, Martín Legón (photo), Amalia Ulman and Agustina Woodgate participate in the show Video Sur. Le Tarmac, Palais de Tokyio. (Ph: Agustina Woodgate, Cracked, 2015. Video 9:38')
14.02.2018 Book Launch: NICANOR ARÁOZ. ANTOLOGÍA GENÉTICA at La Internacional Argentina bookstore. Antología genética is published by Mansalva Ediciones and Torcuato Di Tella University, based on a curatorial project by Lucrecia Palacios, Alejo Ponce de León and Inés Katzenstein.