closed
now

Matias Duville


Matías Duville (Buenos Aires, 1974) works with objects, videos and installations, although his production has mainly grown out of drawing. His works evoke scenes of desolation with rarified, timeless atmospheres like those that precede a natural disaster: hurricanes, tsunamis or situations of abandonment in the forest that act as a dreamlike vision of a wandering explorer, like a mental landscape. As a reference figure in local drawing, his work is characterised by experimentation with supports and materials. With his expressive strokes and procedures which reveal a certain brutality, he modifies the surface by leaving traces in the representation, marks which blend the nature of matter with the landscape. The tension between opposites, mutation and time are some of the subjects that feature in his most recent works. 

His recent projects include Arena Parking (Centro Cultural Recoleta, 2015), Mutações (MAM, Rio de Janeiro, 2015), Discard Georgaphy (Ecole de Beaux Arts, Chapelle des Petits-Augustins, Paris, 2013), Safari (Malba, 2013) and Alaska, (Drawing Center, New York, 2013).

Download CV (docx) / Website

exhibitions

Precipitar una especie
18.11.2014

In the quest to set in space and volume subjects dealt with in his work, the artist explores the tension in matter by means of a forceful large-scale installation, drawings and videos.

publications

Hogar. Matías Duville. KBB, Buenos Aires, 2015

Mutações, Matías Duville. MAM, Rio de Janeiro 2015

Fortune Bookie #3 Matias Duville + Eduardo Navarro. Editions du Livre, France 2011

Esto fue otro lugar. Matías Duville. KBB, Buenos Aires, 2011

Alaska, Matías Duville. The Drawing Center, New York, 2006

Matías Duville, Obras 2000 – 2007. Buenos Aires, 2007




Fairs

Proyectos LA

16.09.2017 Projectos LA is a cultural platform for modern and contemporary Latin American galleries to exhibit in Los Angeles, EEUU. BARRO presents works by Nicanor Aráoz, Matias Duville, Mondongo and Amalia Ulman. Through October 28th

News

Mondongo at MAK LA

10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at MAK Center for Art and Architecture at the Schindler House, L.A. USA. Mondongo, No soy tan joven como para saberlo todo, 2016. Through Januay 14th 2018.

News

Mondongo en L.A. USA

10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at The Luckman Fine Arts Complex at Cal State L.A.USA. Mondongo, El sueño de la razón I, 2008. Through Januay 14th 2018. 

Exhibitions

TRES

09.09.2017 Mondongo. There are three burrows to which the artists invite us to get lost among creepy puppets, dreamlike landscapes, broken dreams, species of cadavre exquis and timeless tunnels.Through October 14th

Fairs

BAPHOTO 2017

08.09.2017 La Rural, Buenos Aires, Argentina. In the 13th edition of the Buenos Aires Photography Fair, Nicola Costantino takes part in the Main Section.

News

Rosario Remix

01.09.2017 Artists of Grupo Litoral. Proyect by Marcelo Pombo at Museo Castagnino Macro. Rosario. Through November 12th

Actions

Nuevos pensamientos imbéciles / Videos

29.07.2017 Video Series at Forum in Martin Legón's Show Nuevos Pensamientos imbéciles.

Exhibitions

Nuevos pensamientos imbéciles

22.07.2017 The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.

News

Mondongo at LACMA

05.07.2017 HOME — So Different, So Appealing at LOS ANGELES COUNTY MUSEUM OF ART features U.S. Latino and Latin American artists who have used the deceptively simple idea of "home". Through October 15th. Mondongo, Políptico de Buenos Aires, 2014–2016 ( 431 x 341 x 10 cms)

Exhibitions

Intolerance

25.05.2017 Like in most of her artworks, there's a narrative element in Amalia Ulman's latest installation. Here, the spectator -or user- becomes part of the piece by wandering through the dream-like environments that are the rooms which compose the labyrinthine structure of Intolerance.




BARRO ARTE CONTEMPORANEO
CABOTO 531 LA BOCA BUENOS AIRES
+54 11 4978 3759
FACEBOOK
INSTAGRAM