Agustina Woodgate (Buenos Aires, 1981) explores
temporality, spatial politics, and the radical
imagination. She creates sculptural works, public
interventions and social interactions that generate
and propose new landscapes. She focuses on the ever changing ecology and cartography an
encourages a new assessment of natural resource
use. Her works convert surplus material into new
possibilities of perception and action. Her projects have been been commissioned by
the Bienal de las Américas, Denver; ArtPort, Tel
Aviv; PlayPublik, Poland; DC Commission on the
Arts and Humanities, Washington, DC; The Bass
Museum of Art, Miami; Kulturpark, Berlin; Locust
Projects, Miami y MassMOCA, Massachusetts;
Storefront for Art and Architecture, St.Paul MN; CIFO Foundation, Miami; Love the Everglades
Movement; Florida International University. She
has had several solo exhibitions in centres such as
the Faena Arts Center, Buenos Aires (2014); Art
and Culture Center of Hollywood (2014) and KW
Institute for Contemporary Art, Berlin (2012).
She has been included in group exhibitions at the Orlando Art Museum (2014); Denver Art
Museum (2013); White Box, NY (2012); Gallery
Nosco, London (2011); Good Children Gallery,
New Orleans (2011); Naples Museum of Art, FL
(2011); North Carolina Museum (2011); Montreal
Biennale, Canada (2009); and the Museum of
Contemporary Art, Miami (2007/2015). In 2011
she founded Radio Espacio Estación, a nomadic, bilingual online radio station.
Obsessed with infrastructure, Agustina Woodgate analyzes the space we inhabit as a field full of tensions where Man is the common denominator that alters all the cells in the world.
16.09.2017 Projectos LA is a cultural platform for modern and contemporary Latin American galleries to exhibit in Los Angeles, EEUU. BARRO presents works by Nicanor Aráoz, Matias Duville, Mondongo and Amalia Ulman. Through October 28th
10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at MAK Center for Art and Architecture at the Schindler House, L.A. USA. Mondongo, No soy tan joven como para saberlo todo, 2016. Through Januay 14th 2018.
10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at The Luckman Fine Arts Complex at Cal State L.A.USA. Mondongo, El sueño de la razón I, 2008. Through Januay 14th 2018.
09.09.2017 Mondongo. There are three burrows to which the artists invite us to get lost among creepy puppets, dreamlike landscapes, broken dreams, species of cadavre exquis and timeless tunnels.Through October 14th
08.09.2017 La Rural, Buenos Aires, Argentina. In the 13th edition of the Buenos Aires Photography Fair, Nicola Costantino takes part in the Main Section.
01.09.2017 Artists of Grupo Litoral. Proyect by Marcelo Pombo at Museo Castagnino Macro. Rosario. Through November 12th
29.07.2017 Video Series at Forum in Martin Legón's Show Nuevos Pensamientos imbéciles.
22.07.2017 The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.
05.07.2017 HOME — So Different, So Appealing at LOS ANGELES COUNTY MUSEUM OF ART features U.S. Latino and Latin American artists who have used the deceptively simple idea of "home". Through October 15th. Mondongo, Políptico de Buenos Aires, 2014–2016 ( 431 x 341 x 10 cms)
25.05.2017 Like in most of her artworks, there's a narrative element in Amalia Ulman's latest installation. Here, the spectator -or user- becomes part of the piece by wandering through the dream-like environments that are the rooms which compose the labyrinthine structure of Intolerance.