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The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
Beginners Political World, 2014. Sanded paper, metal, 130cm x 172cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom and Milky Ways, 2014. 50 sanded cardboard globes and stuffed animal toy pelts. Dimensions variables. Exhibition view at Art Berlin Contemporary
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Educación Pública, 2015. Public Intervention with found bulletin boards Dumpster of the Department of public education, Tel Aviv, Israel
Rayuela, 2014 . Public Intervention, Costanera Sur, Buenos Aires
Rayuela, 2014 . Public Intervention, Plaza Hussay, Buenos Aires
Hopscotch, 2015. Public Intervention, Greensboro, Carolina del Norte
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
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Agustina Woodgate (Buenos Aires, 1981) explores
temporality, spatial politics, and the radical
imagination. She creates sculptural works, public
interventions and social interactions that generate
and propose new landscapes. She focuses on the ever changing ecology and cartography an
encourages a new assessment of natural resource
use. Her works convert surplus material into new
possibilities of perception and action. Her projects have been been commissioned by
the Bienal de las Américas, Denver; ArtPort, Tel
Aviv; PlayPublik, Poland; DC Commission on the
Arts and Humanities, Washington, DC; The Bass
Museum of Art, Miami; Kulturpark, Berlin; Locust
Projects, Miami y MassMOCA, Massachusetts;
Storefront for Art and Architecture, St.Paul MN; CIFO Foundation, Miami; Love the Everglades
Movement; Florida International University. She
has had several solo exhibitions in centres such as
the Faena Arts Center, Buenos Aires (2014); Art
and Culture Center of Hollywood (2014) and KW
Institute for Contemporary Art, Berlin (2012).
She has been included in group exhibitions at the Orlando Art Museum (2014); Denver Art
Museum (2013); White Box, NY (2012); Gallery
Nosco, London (2011); Good Children Gallery,
New Orleans (2011); Naples Museum of Art, FL
(2011); North Carolina Museum (2011); Montreal
Biennale, Canada (2009); and the Museum of
Contemporary Art, Miami (2007/2015). In 2011
she founded Radio Espacio Estación, a nomadic, bilingual online radio station.
Obsessed with infrastructure, Agustina Woodgate analyzes the space we inhabit as a field full of tensions where Man is the common denominator that alters all the cells in the world.
25.05.2017 Like in most of her artworks, there's a narrative element in Amalia Ulman's latest installation. Here, the spectator -or user- becomes part of the piece by wandering through the dream-like environments that are the rooms which compose the labyrinthine structure of Intolerance. Through 01.07.17
24.05.2017 Buenos Aires, Argentina. Hipódromo de Palermo. In the first edition of the fair, Nani Lamarque takes part in the Solo Projects section.
23.05.2017 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Diego Bianchi, Joaquín Boz, Matías Duville, Mondongo and Agustina Woodgate in the main section of the fair. And is involved with special projects, CABINET by Mónica Girón and DIXIT SPACE whit Mónica Girón, Alejandra Seeber.
21.05.2017 AGENDA is Amalia Ulman’s latest performative conference. It is comprised of a PowerPoint presentation, and a live performance with sound effects. It exposes the final narrative of the online performance Privilege.
22.04.2017 In "El presente está encantador" (The enchanting now), Bianchi draws energy from that collection to transform it into a great work of his own that also includes pieces by Alberto Heredia, Enio Iommi, Aldo Paparella, Ruben Santantonín, Emilio Renart, to name a few.Through August 6
21.04.2017 Pop Up is the first event organized by Barro in New York and that will feature painting, sculpture, actions, live music, and texts.
19.04.2017 Published by the Library Council of The Museum of Modern Art, The Valise, is a collective artists’ project, unites seven South American artists—Johanna Calle, Mateo López and Nicolás Paris, Maria Laet, Rosângela Rennó, Matías Duville, and Christian Vinck Henriquez—with the Argentine writer César Aira. Through June 4
11.04.2017 Guided Tour at Nani's Lamarque Show, La Evaporación del Encanto.
11.03.2017 La evaporación del encanto by Nani Lamarque. Untill 22.04.17
10.03.2017 Projection, 2012. Charcoal on paper, 1870 x 3510 x 64 mm. Matias Duville is part of the collection of the TATE, London, UK since 2017.