closed
now
closed
now
The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
Beginners Political World, 2014. Sanded paper, metal, 130cm x 172cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom and Milky Ways, 2014. 50 sanded cardboard globes and stuffed animal toy pelts. Dimensions variables. Exhibition view at Art Berlin Contemporary
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Educación Pública, 2015. Public Intervention with found bulletin boards Dumpster of the Department of public education, Tel Aviv, Israel
Rayuela, 2014 . Public Intervention, Costanera Sur, Buenos Aires
Rayuela, 2014 . Public Intervention, Plaza Hussay, Buenos Aires
Hopscotch, 2015. Public Intervention, Greensboro, Carolina del Norte
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
Previous
Next
Agustina Woodgate (Buenos Aires, 1981) explores
temporality, spatial politics, and the radical
imagination. She creates sculptural works, public
interventions and social interactions that generate
and propose new landscapes. She focuses on the ever changing ecology and cartography an
encourages a new assessment of natural resource
use. Her works convert surplus material into new
possibilities of perception and action. Her projects have been been commissioned by
the Bienal de las Américas, Denver; ArtPort, Tel
Aviv; PlayPublik, Poland; DC Commission on the
Arts and Humanities, Washington, DC; The Bass
Museum of Art, Miami; Kulturpark, Berlin; Locust
Projects, Miami y MassMOCA, Massachusetts;
Storefront for Art and Architecture, St.Paul MN; CIFO Foundation, Miami; Love the Everglades
Movement; Florida International University. She
has had several solo exhibitions in centres such as
the Faena Arts Center, Buenos Aires (2014); Art
and Culture Center of Hollywood (2014) and KW
Institute for Contemporary Art, Berlin (2012).
She has been included in group exhibitions at the Orlando Art Museum (2014); Denver Art
Museum (2013); White Box, NY (2012); Gallery
Nosco, London (2011); Good Children Gallery,
New Orleans (2011); Naples Museum of Art, FL
(2011); North Carolina Museum (2011); Montreal
Biennale, Canada (2009); and the Museum of
Contemporary Art, Miami (2007/2015). In 2011
she founded Radio Espacio Estación, a nomadic, bilingual online radio station.
Obsessed with infrastructure, Agustina Woodgate analyzes the space we inhabit as a field full of tensions where Man is the common denominator that alters all the cells in the world.
16.03.2020 After careful consideration and taking into account the recommendations of authorities and health specialists in relation to COVID-19, Barro will open only by appointment. We will inform about the opening of “Eyeballing. Golf a go go” by Alejandra Seeber and “Requiem” by Rubén Baldemar. Follow us in our social media accounts for more information about news and activities.
21.02.2020 Escenarios Dinámicos. Exhibition that brings together the works selected and awarded in the Visual Arts Contest 2019 of theFondo Nacional de las Artes. At Casa Nacional del Bicentenario, Buenos Aires.
03.02.2020 As geological and political territories erode, Earth becomes a more volatile entity. Facing Earth by Agustina Woodgate at George Mason University, Washington DC, USA.
01.02.2020 The proposal of the Faivovich & Goldberg duo turns the room into a pavilion for the exhibition of the meteorite, one of pieces of the Museum Collection. Museo Historico Provincial de Rosario Dr. Julio Marc.
15.12.2019 Miami Beach, USA. The gallery includes works by Matías Duville, Gabriel Chaile and Amalia Ulman. The Nova sector features strong juxtapositions and pieces fresh from the artist's studio.
03.12.2019 The Source by Agustina Woodgate in Disruptions at Collins Park, Miami. Curated by Diana Wechsler & Florencia Battitii for Art Basel Cities: Buenos Aires.
02.12.2019 Renacimiento, 2019 in The Last Supper, Faena Festival Miami. Curated by Zoe Lukov. Ph: Geraldine (oven), 2019. Iron structure, fire clay bricks, adobe and topsoil, 320 x 200 x 120 cm.
08.11.2019 Exhibition: Bardo — 5 años. Group Show. Artists: Nicanor Aráoz, Diego Bianchi, Joaquín Boz, Gabriel Chaile, Nicola Costantino, Matías Duville, Faivovich & Goldberg, Mónica Giron, Nani Lamarque, Martín Legón, Mondongo, Marcelo Pombo, Miguel Angel Ríos, Alejandra Seeber, Amalia Ulman, Agustina Woodgate.
24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.
20.09.2019 At London Open House 2019, London UK @openhouselondon. Curators: Melina Berkenwald & Alessio Antoniolli @gasworkslondon