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The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
The Times Atlas of The World, 2012. Sanded paper (515 pages), Brass, Wood, and Iron Book Stand, 110cm x 50cm x 65cm
Beginners Political World, 2014. Sanded paper, metal, 130cm x 172cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Globo (Paul McCobb) 2014. Sanded cardboard globe, bronce, 30cm x 30cm x 96cm
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom, 2014. 150 cardboard sanded globes. Dimensions variables. Faena Art Center, Buenos Aires
Ballroom and Milky Ways, 2014. 50 sanded cardboard globes and stuffed animal toy pelts. Dimensions variables. Exhibition view at Art Berlin Contemporary
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Animal Rug Company, 2014. Stuffed animal toy pelts, metal rods. Dimensions variables. Exhibition view at Art and Culture Center of Hollywood
Educación Pública, 2015. Public Intervention with found bulletin boards Dumpster of the Department of public education, Tel Aviv, Israel
Rayuela, 2014 . Public Intervention, Costanera Sur, Buenos Aires
Rayuela, 2014 . Public Intervention, Plaza Hussay, Buenos Aires
Hopscotch, 2015. Public Intervention, Greensboro, Carolina del Norte
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
Hopscotch, 2014. Public Intervention, Cracovia, Polonia
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Agustina Woodgate (Buenos Aires, 1981) explores
temporality, spatial politics, and the radical
imagination. She creates sculptural works, public
interventions and social interactions that generate
and propose new landscapes. She focuses on the ever changing ecology and cartography an
encourages a new assessment of natural resource
use. Her works convert surplus material into new
possibilities of perception and action. Her projects have been been commissioned by
the Bienal de las Américas, Denver; ArtPort, Tel
Aviv; PlayPublik, Poland; DC Commission on the
Arts and Humanities, Washington, DC; The Bass
Museum of Art, Miami; Kulturpark, Berlin; Locust
Projects, Miami y MassMOCA, Massachusetts;
Storefront for Art and Architecture, St.Paul MN; CIFO Foundation, Miami; Love the Everglades
Movement; Florida International University. She
has had several solo exhibitions in centres such as
the Faena Arts Center, Buenos Aires (2014); Art
and Culture Center of Hollywood (2014) and KW
Institute for Contemporary Art, Berlin (2012).
She has been included in group exhibitions at the Orlando Art Museum (2014); Denver Art
Museum (2013); White Box, NY (2012); Gallery
Nosco, London (2011); Good Children Gallery,
New Orleans (2011); Naples Museum of Art, FL
(2011); North Carolina Museum (2011); Montreal
Biennale, Canada (2009); and the Museum of
Contemporary Art, Miami (2007/2015). In 2011
she founded Radio Espacio Estación, a nomadic, bilingual online radio station.
Obsessed with infrastructure, Agustina Woodgate analyzes the space we inhabit as a field full of tensions where Man is the common denominator that alters all the cells in the world.
12.06.2018 [...] There is a phenomenon that science still has not been able to explain called crown shyness. Certain species of trees’ branches grow close but never graze each other. As if they could communicate, each tree establishes the margins of its own space, its own territory. Verónica Flom for Los días.
25.05.2018 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Joaquín Boz, Nicola Costantino, Matías Duville, Mondongo, Alejandra Seeber, Amalia Ulman and Agustina Woodgate in the main section of the fair. And is involved with CABINET by Marcelo Pombo.
24.05.2018 Red Sunset, 2018. Sanguine on paper, 100 x 70 cm. Matias Duville is part of the collection of the Museum of Latin American Art (MOLAA), Long Beach, USA.
13.05.2018 As a closing exhibition of his BAR project residency. The seduction of the innocents displays a new essay of Martin Legón. This work, mix between anthropology, poetry, and sociology of the media, breaks down the paradoxical place occupied by the artistic object today.
04.05.2018 Pardés is the site-specific installation of Nicola Costantino, created especially for the Sala Laberinto. It means "orchard" in Hebrew and refers also to the idea of Eden, that place that is reached to delight with all the fruits offered. Usina del arte, Buenos Aires.
11.04.2018 São Paulo, Brazil. Matías Duville participates in the Solo Setor, dedicated to projects of a single artist and curated by Luiza Teixeira de Freitas.
28.03.2018 [...] The construction of Gothic environments can be envisioned as an obsessive insistence that has gradually perfected Nicanor Aráoz’s art. That energy is a form of imagination that operates by exacerbating the tensions that organize the real: its expressive language is the symptomatic torment produced by the historical and hysterical antagonisms between good and evil, the healthy and the sick, the sanctioned and the perverse, crime and law, the repressive control of forms and the monstrous abundance of the deformed.
22.03.2018 ‘Privilege’ Amalia Ulman’s first solo show in KWM Art Center, The aim of the exhibition is to introduce Ulman’s practice to a new audience exposing the contradictory roles of contemporary professional and private life as they play out amongst a monopoly of contemporary stereotypes.
08.03.2018 New York, USA. For the first time, BARRO is present at The Armory Show. In this edition, Nicanor Aráoz and Amalia Ulman participate with installation, video, drawings, sculpture, and objects. Pier 92, Booth F9.
06.03.2018 Curated by Chus Martínez for Castello di Rivoli, Torino, Italy, the exhibition Metamorphoses – Let Everything Happen to You explores the concept of transformation and flourishing through the works of emerging international artists. It includes works of Nicanor Aráoz among other artists. Until June 26th, 2018