Mónica Giron (San Carlos de Bariloche, 1959). The experience of witnessing the stunning Patagonian horizon –whose human and geopolitical contexts are being rapidly transformed– is at the very heart of the artist’s work. Through her presentation of the landscape and the world as a field of metaphors from which to pose unexpected questions of a sensitive, open, ethical and moral nature, Giron creates a body of work and actions that she unfurls in her exhibitions and seminars. She anxiously observes the landscape, architecture or art, mindful of the ability of forms –and consequently of humans– to concentrate or misuse information, energy, knowledge and the power of expression. Repeatedly her work is expressed in installations, objects and analyses of forms, drawings, watercolours and site-specific projects. She currently lives in the city of Buenos Aires.
Her most recent individual exhibitions are Ejercicios con el modelo terrestre (Centro Cultural Recoleta, 2015), Fronterizo y Traslación, (Galería Zabaleta Lab, 2013) and Neocriollo (Museo de Arte Latinoamericano de Buenos Aires, 2007).
For the work of art to be a transforming agent, the ability of analysis and interpretation has to exist. In this exhibition, Mónica Giron formalizes the different methodologies she applies to refine perception and acquire knowledge both in her life and in her work production as well as in her practice in the artist formation area.
16.03.2020 After careful consideration and taking into account the recommendations of authorities and health specialists in relation to COVID-19, Barro will open only by appointment. We will inform about the opening of “Eyeballing. Golf a go go” by Alejandra Seeber and “Requiem” by Rubén Baldemar. Follow us in our social media accounts for more information about news and activities.
21.02.2020 Escenarios Dinámicos. Exhibition that brings together the works selected and awarded in the Visual Arts Contest 2019 of theFondo Nacional de las Artes. At Casa Nacional del Bicentenario, Buenos Aires.
03.02.2020 As geological and political territories erode, Earth becomes a more volatile entity. Facing Earth by Agustina Woodgate at George Mason University, Washington DC, USA.
01.02.2020 The proposal of the Faivovich & Goldberg duo turns the room into a pavilion for the exhibition of the meteorite, one of pieces of the Museum Collection. Museo Historico Provincial de Rosario Dr. Julio Marc.
15.12.2019 Miami Beach, USA. The gallery includes works by Matías Duville, Gabriel Chaile and Amalia Ulman. The Nova sector features strong juxtapositions and pieces fresh from the artist's studio.
03.12.2019 The Source by Agustina Woodgate in Disruptions at Collins Park, Miami. Curated by Diana Wechsler & Florencia Battitii for Art Basel Cities: Buenos Aires.
02.12.2019 Renacimiento, 2019 in The Last Supper, Faena Festival Miami. Curated by Zoe Lukov. Ph: Geraldine (oven), 2019. Iron structure, fire clay bricks, adobe and topsoil, 320 x 200 x 120 cm.
08.11.2019 Exhibition: Bardo — 5 años. Group Show. Artists: Nicanor Aráoz, Diego Bianchi, Joaquín Boz, Gabriel Chaile, Nicola Costantino, Matías Duville, Faivovich & Goldberg, Mónica Giron, Nani Lamarque, Martín Legón, Mondongo, Marcelo Pombo, Miguel Angel Ríos, Alejandra Seeber, Amalia Ulman, Agustina Woodgate.
24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.
20.09.2019 At London Open House 2019, London UK @openhouselondon. Curators: Melina Berkenwald & Alessio Antoniolli @gasworkslondon