closed
now

Dialogues #1. Marcelo Pombo and Martín Legón


03.09.2015 Buenos Aires, August 2015
ML: Well, as I was saying, I was looking forward to interviewing you, particularly as the gallery is conducive to talk…
MP: What do you want to talk about? Barro?
ML: I wanted to ask you a few things, seeing as you had two exhibitions on at the same time. 
MP: Fine. Fire away!
ML: I don’t know whether you heard comments from artists about the exhibition that ended a few days ago at the Colección Fortabat. Many saw it as a change of paradigm. It was an important moment for all of us who visited to be able to see your retrospective. So above all else I wanted to know how you feel seeing your work in perspective.
MP: Fine. I think that exhibition changed my life in the sense that people in the art world were able to see the work I’ve done over thirty years, and the feedback I’ve received is very gratifying. And the work with Inés Katzenstein was a stroke of luck, not only for everything she brought to it but also because I accepted each and every one of her decisions. It wasn’t in my plans to do a retrospective exhibition almost as the same time as an exhibition of my recent works in a gallery. They overlapped completely by chance. In the Colección Fortabat I’m free to choose the curator and propose Inés if she wants. And as I said, I totally abide by her wishes and preferences.
ML: That’s clear. MP:  And it’s what I suffered most early on… because in the mid-90s I was doing many pieces of work with a unique character, not series.  Series weren’t of any interest to me. I preferred experimenting with techniques, modest experiments, little formats, pictures that were sellable, but I was always seeking to experiment. I wanted them to be unique. And during the 90s people didn’t think much of that. Galleries or institutions wanted series, the exploration of things that were similar to each other, and I was doing things that were really exceptional in comparison with each other. I experienced it as someone who wanted to entertain, as if they were magic tricks by a bad magician. So a retrospective like this one was a chance for me to show all my tricks and games… Download full dialogue


File

Dialogues #1. Marcelo Pombo and Martín Legón

Esp (pdf) | Eng (pdf)




Fairs

Proyectos LA

16.09.2017 Projectos LA is a cultural platform for modern and contemporary Latin American galleries to exhibit in Los Angeles, EEUU. BARRO presents works by Nicanor Aráoz, Matias Duville, Mondongo and Amalia Ulman. Through October 28th

News

Mondongo at MAK LA

10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at MAK Center for Art and Architecture at the Schindler House, L.A. USA. Mondongo, No soy tan joven como para saberlo todo, 2016. Through Januay 14th 2018.

News

Mondongo en L.A. USA

10.09.2017 Mondongo is part in the group show How to Read El Pato Pascual: Disney’s Latin America and Latin America’s Disney at The Luckman Fine Arts Complex at Cal State L.A.USA. Mondongo, El sueño de la razón I, 2008. Through Januay 14th 2018. 

Exhibitions

TRES

09.09.2017 Mondongo. There are three burrows to which the artists invite us to get lost among creepy puppets, dreamlike landscapes, broken dreams, species of cadavre exquis and timeless tunnels.Through October 14th

Fairs

BAPHOTO 2017

08.09.2017 La Rural, Buenos Aires, Argentina. In the 13th edition of the Buenos Aires Photography Fair, Nicola Costantino takes part in the Main Section.

News

Rosario Remix

01.09.2017 Artists of Grupo Litoral. Proyect by Marcelo Pombo at Museo Castagnino Macro. Rosario. Through November 12th

Actions

Nuevos pensamientos imbéciles / Videos

29.07.2017 Video Series at Forum in Martin Legón's Show Nuevos Pensamientos imbéciles.

Exhibitions

Nuevos pensamientos imbéciles

22.07.2017 The body without organs (BwO) is something that can be constructed, fabricated according to an excercise of experimentation that consists in taking our body and opening it to a countless number of potential connections. It is possible to approach Martín Legón’s “Nuevos pensamientos imbéciles” with this deleuzian notion in mind. Because what is exhibited in Barro is the skeleton of a body (of art) without organs. An unique body, dismembered, presented in rigid strucutres and shapeless forms as if it were an art fair.

News

Mondongo at LACMA

05.07.2017 HOME — So Different, So Appealing at LOS ANGELES COUNTY MUSEUM OF ART features U.S. Latino and Latin American artists who have used the deceptively simple idea of "home". Through October 15th. Mondongo, Políptico de Buenos Aires, 2014–2016 ( 431 x 341 x 10 cms)

Exhibitions

Intolerance

25.05.2017 Like in most of her artworks, there's a narrative element in Amalia Ulman's latest installation. Here, the spectator -or user- becomes part of the piece by wandering through the dream-like environments that are the rooms which compose the labyrinthine structure of Intolerance.




BARRO ARTE CONTEMPORANEO
CABOTO 531 LA BOCA BUENOS AIRES
+54 11 4978 3759
FACEBOOK
INSTAGRAM