Nicola Costantino (Rosario, 1964). In twenty years of production her work has evolved from sculpture, clothing, mechanical objects and installations to photography and videoinstallation. The body is the constant focus of her field of investigation, and the artist refers to the violent treatment it receives at the hands of consumption and fashion. Over the last decade, Costantino includes herself autoreferentially in her photographic and video art production. She portrays scenes of art history and paradigmatic female characters, constructing the subject of the image on the basis of performance and acting in careful scenographies. The manufacture of her objects and the images capture an acute sense of beauty, provoking at the same time a certain atmosphere of discomfort that is hard to resolve.
Some of her most recent projects include Rapsodia Inconclusa (Colección de Arte Amalia Lacroze de Fortabat, 2015), Eva–Argentina. Una metáfora Contemporánea (55th Venice Biennale, 2013), Alteridad (Centro Cultural Santa Cruz, Rio Gallegos; Museo Provincial Rosa Galisteo, Santa Fe; Museo Provincial de Bellas Artes Dr. Pedro E. Martínez, Paraná; ECU, Rosario; Nave Cultural, Mendoza; Centro Cultural J.A. Conte Grand, San Juan, 2012-13) and Exposición Monográfica (Daros Latinoamérica, 2011).
"... The Fountain of Life must have presented itself to Hieronymus Bosch as a vision. It is so complicated a structure and also so monstrous -at a time animal and vegetal. And I wanted to rebuild it verily, but bearing the signs of the time elapsed and encircled by a strange landscape. As if the garden had died and in its place a sort of desert had appeared..." Nicola Costantino.
16.03.2020 After careful consideration and taking into account the recommendations of authorities and health specialists in relation to COVID-19, Barro will open only by appointment. We will inform about the opening of “Eyeballing. Golf a go go” by Alejandra Seeber and “Requiem” by Rubén Baldemar. Follow us in our social media accounts for more information about news and activities.
21.02.2020 Escenarios Dinámicos. Exhibition that brings together the works selected and awarded in the Visual Arts Contest 2019 of theFondo Nacional de las Artes. At Casa Nacional del Bicentenario, Buenos Aires.
03.02.2020 As geological and political territories erode, Earth becomes a more volatile entity. Facing Earth by Agustina Woodgate at George Mason University, Washington DC, USA.
01.02.2020 The proposal of the Faivovich & Goldberg duo turns the room into a pavilion for the exhibition of the meteorite, one of pieces of the Museum Collection. Museo Historico Provincial de Rosario Dr. Julio Marc.
15.12.2019 Miami Beach, USA. The gallery includes works by Matías Duville, Gabriel Chaile and Amalia Ulman. The Nova sector features strong juxtapositions and pieces fresh from the artist's studio.
03.12.2019 The Source by Agustina Woodgate in Disruptions at Collins Park, Miami. Curated by Diana Wechsler & Florencia Battitii for Art Basel Cities: Buenos Aires.
02.12.2019 Renacimiento, 2019 in The Last Supper, Faena Festival Miami. Curated by Zoe Lukov. Ph: Geraldine (oven), 2019. Iron structure, fire clay bricks, adobe and topsoil, 320 x 200 x 120 cm.
08.11.2019 Exhibition: Bardo — 5 años. Group Show. Artists: Nicanor Aráoz, Diego Bianchi, Joaquín Boz, Gabriel Chaile, Nicola Costantino, Matías Duville, Faivovich & Goldberg, Mónica Giron, Nani Lamarque, Martín Legón, Mondongo, Marcelo Pombo, Miguel Angel Ríos, Alejandra Seeber, Amalia Ulman, Agustina Woodgate.
24.09.2019 Acople. Curated by Jimena Ferreiro. This show proposes to dramatize some ideas-strength that organize the local art narrative through a matching system, as random as inscribed in the personal canon of the artists involved.
20.09.2019 At London Open House 2019, London UK @openhouselondon. Curators: Melina Berkenwald & Alessio Antoniolli @gasworkslondon