Diego Bianchi

Diego Bianchi (Buenos Aires, 1969) generates all-embracing spatial situations with the use of sculptures, installations and performances in which erosion, disorder and destruction are the actors in the state of matter. As a key reference figure in local contemporary art, for Bianchi the practice of art is a sphere for trial and indeterminacy. His works focus on entropic landscapes: they reintegrate the abject, that which is “worthless” in the consumer society, into the visual world by means of compositions that shroud a strange sensation of harmony. He frequently resorts to the interaction between performers, with whose presence he speaks of symbiosis between the body and the objects, assimilation of the body as an object and the possible and absurd interconnections between the things of the world.

Among his most recent projects are WasteAfterWaste at Pérez Art Museum Miami (2015); Suspensión de la incredulidad (MALBA, 2015; ARCO, 2014), Under de Si, codirected with Luis Garay (Bienal de Performance, Buenos Aires, 2015; Malta Festival Poznan, Poland, 2014; Sala TACEC of the Teatro Argentino de La Plata, Buenos Aires, 2014), Into the Wild Meaning (2013) Visual Arts Center, University of Texas at Austin, Feel Free Feel Fear (2013), Slow Burn, An Index of Possibilities. Tilburg, Holland. Market or Die, 13th Istanbul Biennial (2013); The Ultimate Realities (2011), 11th Biennale de Lyon, A Terrible Beauty is Born, France.

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Diego Bianchi. In an environment of division and powerlessness, where the objects of techno-capitalism emerge in all their toxicity, mathematical symmetry is the paradoxical form of democratic verification.


Enlarge, Diego Bianchi. KBB, Buenos Aires, 2011


Intolerance. Amalia Ulman

25.05.2017 Like in most of her artworks, there's a narrative element in Amalia Ulman's latest installation. Here, the spectator -or user- becomes part of the piece by wandering through the dream-like environments that are the rooms which compose the labyrinthine structure of Intolerance. Through 01.07.17


FACA 2017

24.05.2017 Buenos Aires, Argentina. Hipódromo de Palermo. In the first edition of the fair, Nani Lamarque takes part in the Solo Projects section.


arteBA 2017

23.05.2017 Buenos Aires, Argentina. The gallery includes works by Nicanor Aráoz, Diego Bianchi, Joaquín Boz, Matías Duville, Mondongo and Agustina Woodgate in the main section of the fair. And is involved with special projects, CABINET by Mónica Girón and DIXIT SPACE whit Mónica Girón, Alejandra Seeber.


Amalia Ulman at Bienal de Performance

21.05.2017 AGENDA is Amalia Ulman’s latest performative conference. It is comprised of a PowerPoint presentation, and a live performance with sound effects. It exposes the final narrative of the online performance Privilege.


Diego Bianchi at Museo de Arte Moderno

22.04.2017 In "El presente está encantador" (The enchanting now), Bianchi draws energy from that collection to transform it into a great work of his own that also includes pieces by Alberto Heredia, Enio Iommi, Aldo Paparella, Ruben Santantonín, Emilio Renart, to name a few.Through August 6


Pop Up New York

21.04.2017 Pop Up is the first event organized by Barro in New York and that will feature painting, sculpture, actions, live music, and texts.


Matías Duville / The Valise MoMA

19.04.2017 Published by the Library Council of The Museum of Modern Art, The Valise, is a collective artists’ project, unites seven South American artists—Johanna Calle, Mateo López and Nicolás Paris, Maria Laet, Rosângela Rennó, Matías Duville, and Christian Vinck Henriquez—with the Argentine writer César Aira. Through June 4


Students at Barro

11.04.2017 Guided Tour at Nani's Lamarque Show, La Evaporación del Encanto.


La evaporación del encanto

11.03.2017 La evaporación del encanto by Nani Lamarque. Untill 22.04.17


Matías Duville in TATE Collection

10.03.2017 Projection, 2012. Charcoal on paper, 1870 x 3510 x 64 mm. Matias Duville is part of the collection of the TATE, London, UK since 2017.

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